- Member of Parliament
- Member of Parliament
- Bloc Québécois
- Shefford
- Quebec
- Voting Attendance: 66%
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- May/28/24 6:31:04 p.m.
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Madam Speaker, in my previous intervention, I forgot to address one thing that I consider equally unacceptable and degrading for our democracy, and that is when members sink to spreading disinformation or lies or to using divide-and-conquer tactics.
Claiming that challenging the president of the Assemblée parlementaire de la Francophonie was an insult to francophones outside Quebec is a lie. It is disinformation. It is an attempt to divide and conquer. Accusing us, the Bloc Québécois, of dwelling on this matter because the Speaker is a Quebecker is a low blow. I have no words to describe how absurd this attack is. Whether or not the Speaker is a Quebecker is irrelevant.
I heard some members of the NDP and even some Liberals accuse us of objecting to the fact that the Speaker is a Quebecker. Ultimately, all this does is divide and conquer. It helps no one in our democratic system.
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Mr. Speaker, Quebec is a pioneer when it comes to this model of early childhood and child care centres. We are truly proud of that. It has helped so many women return to work. The comments in many studies at the Standing Committee on the Status of Women confirm the need to provide child care services.
Bill C‑35 includes the principle of ensuring that francophone children and those from Canada's francophone communities can benefit from child care services in their language.
Does my colleague agree that we must pressure the government to ensure that this is more than just a nice principle in the bill, that it is truly enforced, and that money is set aside to ensure that child care services are provided to francophone children across the country?
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- Feb/29/24 12:04:38 p.m.
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Mr. Speaker, I would like to thank my colleague for her speech and for her nod to Quebec and its child care system. However, I would like her to return to the debate at hand. She did not answer the question asked earlier by my colleague. Only yesterday, the Liberals wanted to add hours of debate. Suddenly, today, they want closure, limiting debate.
This morning, I met with people from the Fédération des communautés francophones et acadienne du Canada. I can say that francophone women are especially worried. Yes, the bill's intention is to ensure francophone children can have access to French-language day care services. According to these women, however, that is just a veneer.
I would have liked to have the opportunity to debate a bit more with my colleague. I would have liked to have been able to confirm that the government will do what it takes to ensure children from French communities outside Quebec will have day care services in their language. I would have liked to debate with her, but closure has just been invoked.
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- Sep/21/23 2:03:15 p.m.
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Mr. Speaker, what do Jean Leloup, Pierre Lapointe and the member for Beauport—Côte-de-Beaupré—Île d'Orléans—Charlevoix have in common? They have all participated in the Granby International Song Festival, also known by its French acronym, FICG.
This summer, the FICG celebrated its 55th anniversary. For the occasion, the team decided to rename the top prize “Fabienne” in honour of one of its most illustrious winners, singer Fabienne Thibeault.
The festival has a well-earned reputation for promoting the French language. We need only think of all the francophone artists who have performed there over the years. With such original ideas as the young songwriter contest and the country music weekend, the festival raises the profile of not only the region, but also francophone music and culture as a whole, even on the international stage.
As a friend and admirer of the FICG, I would like to congratulate Josée, Erick-Louis and the entire festival team on their excellent work, and I wish the Granby International Song Festival many more years of success.
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Mr. Speaker, I believe I said in my remarks that a professor at the University of Montreal who specializes in CRTC issues made a strong case that, no, we are not at the point of needing an Internet police force.
More than that, if restricting freedom of expression is the same as trying to get an adequate proportion of francophone content on digital platforms, then I want more francophone content. If that is the one and only thing that Bill C‑11 is designed to do, I do not believe it is infringing on freedom of expression. It is better representing the diversity of our cultural milieu.
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Mr. Speaker, the answer is simple. Artists in my community have explained to me how this will affect the music industry in particular. At this point, Quebec francophone artists are losing market share and revenue.
Every day that Bill C‑11 does not pass is another day that artists have to fight to keep our culture and the French language alive, and another day that artists will lose money and will struggle more financially.
It is as simple as that. This bill will help our artists to continue producing content in their language. The same is true for indigenous languages.
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Mr. Speaker, I humbly rise today following my wonderful colleague from Berthier—Maskinongé's speech about this bill, which is important for Quebec culture and is central to the very mission of the Bloc Québécois. I would also like to commend my colleague from Drummond for his superb work on this file.
Broadcasting is without a doubt the most effective tool for spreading culture, and it helps define our national identity. Given the rapid development of information and communication technologies, the Bloc Québécois obviously supports the idea of modernizing the Broadcasting Act, which has not been updated since 1991. Back then, I was still listening to music on cassette on my yellow Walkman, and I was only just beginning to take an interest in CDs. I had scarcely even heard of the Internet. The Bloc Québécois contributed substantially to improving the previous version of this bill, the infamous Bill C-10.
I will briefly address the new version, Bill C-11, in my speech. First, I will talk about protecting and promoting original French-language content. I will then discuss the misinformation circulating about the bill. I will conclude by discussing the importance of the bill for local media.
First, let me mention a few crucial aspects regarding the protection and promotion of original French-language content: the discoverability of Canadian programming services and original Canadian content so that there is more original French-language content, proportionally speaking; the promotion of Canadian programming in both official languages, as well as in indigenous languages; a compulsory contribution to the Canadian broadcasting system should a company be unable to use Canadian resources for its programming; the presence of first-run French-language content in order to ensure that platforms like Netflix have new French-language programs, not only old shows; and a sunset clause ensuring an in-depth review of the act every five years.
The Minister of Canadian Heritage promised us that the Bloc Québécois's amendments would be included in the new version of the reform, and indeed they are almost all there. Since nothing can be left to chance in such a bill, we are making sure that we can course correct in the event that changing one simple word has a major impact on the effect of the clause. We have to keep in mind that we want a piece of legislation that will not be obsolete as soon as it is passed. Technology is developing very quickly, and we need a long-term vision to ensure that the act does not become outdated after just a few years. Flexible legislation is important.
From day one, the Bloc, backed by Quebec's entire cultural sector, was the party that worked the hardest on improving Bill C‑10 and getting it passed before the end of the parliamentary session. During the last election campaign, making sure that Bill C‑10, now Bill C‑11, was passed was even the first item on our election platform under arts, culture and heritage. Quebec's and Canada's cultural sectors have been waiting for decades for this act to be updated. The cultural sector made a simple demand just a few days after Bill C‑11 was introduced. It asked us to ensure that this bill passed quickly, because the sector had waited long enough.
Essentially, the objective of the bill remains the same: to apply the Broadcasting Act to the web giants by forcing them to contribute financially to the creation and discoverability of Canadian cultural content. The Canadian Radio-television and Telecommunications Commission, or CRTC, will receive new powers that will allow it to determine which online services will have to be regulated and what quotas will need to be met.
Bill C‑11 will help better regulate video streamers such as Netflix, Apple TV+, Disney+ and Amazon Prime Video, but also companies that specialize in streaming music online such as Spotify, YouTube and Apple Music. Bill C‑11 will require these companies to contribute to Canadian content when commercial items such as albums are downloaded and distributed on their platforms.
The exclusion clause, namely clause 4.1, addressed earlier, has been revised. Now creators, users and social media influencers are exempt from the legislation. It still needs to be taken into account. The money a creator earns from their content is immaterial in the eyes of the new legislation. So-called amateur content on social media would be exempt. The legislation focuses specifically on commercial products.
The CRTC will also have the option to impose conditions associated with discoverability and the development of Canadian content. The bill will not touch the algorithms that can influence the recommendations made to users. The department says it wants to focus instead on discoverability outcomes and not intervene directly with respect to web giants' algorithms. Quebec, francophone and Canadian content must be much more accessible on platforms. Ottawa is trying to give the CRTC the power to hold discussions with each of the digital companies to determine how much they could contribute to Canadian content based on their business model.
Second, I would remind members that the Liberals, the NDP and the Bloc supported and tried to improve this bill that the Conservatives were against from the outset. They engaged in a smear campaign and tried to find all kinds of far-fetched flaws. They really used their imagination. In Parliament, they used a variety of stratagems to slow down the process, both in committee and in the House. They took the House hostage under false pretenses, claiming that the bill infringes on freedom of expression.
However, since 1991, there has been a provision that forces the CRTC to respect freedom of expression. This provision has always been respected, and there is nothing to indicate that that will change. Pierre Trudel, a law professor at Université de Montréal who is an expert on the CRTC and information technologies, reassured us of that. He categorically stated that the freedom of Internet users is not at risk. There is no thought police on television, and there will be no thought police online.
Given the popularity and growing use of online platforms, there is no doubt that the legislation needs to be reviewed. According to ADISQ statistics on the music consumption habits of Quebec francophones over the age of 15, 50% of users follow YouTube's recommendations when choosing their playlists. When it comes to streaming services, 26% of users choose music suggested by the platform through playlists, and 17% follow recommendations. This is based on their past listening habits. These figures illustrate the importance of making Quebec and Canadian francophone content easily discoverable to users on online platforms in order to give it a boost.
Solutions do exist to address the algorithms. One option to consider would be for Spotify and Apple Music to offer a lot more francophone playlists.
Part of the CRTC's mission is to ensure the proper functioning and development of the Canadian broadcasting system. In doing so, it must respect freedom of expression and the other foundations of the Canadian Charter of Rights and Freedoms.
Third, both Quebec's and Canada's broadcasting industries are in crisis. According to an August 2020 report from the Canadian Association of Broadcasters, or CAB, local television and radio broadcasters were projected to face a revenue shortfall totalling $1.6 billion between 2020 and 2022. According to the CAB, 50 radio stations were at risk of shutting down within four to six months of the report's release, and another 150 could go silent within 18 months, resulting in 2,000 job losses, or 24% of 2019 employment levels. The report added that at least 40 of the 95 private and local television stations in Canada would cease operations by 2023.
The most vulnerable operations are AM stations, independent stations and other private radio and TV stations in smaller markets across Canada. Radio and television revenues have been declining for several years, and COVID-19 exacerbated these disconcerting trends.
We know that the Internet has revolutionized the way Quebeckers, particularly young Quebeckers, consume their favourite TV shows, movies, radio stations and music. Consumption trends have drastically changed. The online broadcasting market is dominated by foreign players. We need to take that into account.
Young Quebeckers are especially likely to skirt the traditional broadcasting system. The vast majority of young francophones aged 15 and up frequently listen to music on YouTube. We therefore need to ensure that they are offered francophone content.
A study conducted by CEFRIO, a research and innovation organization, found that over eight in 10 Quebeckers used a social media site in 2018, an increase of 16% compared to 2016. It is clear that the Internet is changing usage and listening habits.
Since I have only about a minute left, I just want to give a few statistics from the Canadian Audio-Visual Certification Office. Canadian content production decreased by an average of 12.4% per year between January 2017 and December 2020. It is important to remember that media outlets are currently in crisis, mainly because they have lost their advertising revenue to web giants.
In conclusion, the Yale report was clear: Canadian content is important. It said that if we do not tell our own stories, no one else will. That really made an impression on me. That was why the report set out a suite of recommendations on financing Canadian content with public funds, imposing spending requirements on foreign online broadcasters, and strengthening CBC/Radio-Canada.
One last thing before I wrap up: Last night, I met with Martin Gougeon from the Théâtre de l'Ancien presbytère. He is an artist who has made it his mission to promote our francophone culture to young students. I have also met with local media representatives many times. They are all unanimous. Quebec's cultural and media communities want this. Let us pass Bill C‑11. Enough dawdling.
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Madam Speaker, I find that interesting. All parties seem to recognize that there is already a provision in this bill stating that this content will not be regulated.
When someone gets to the point where they feel like everyone else is wrong and they are the only one who is right, it may be time for them to do some soul searching. Are they contributing to disinformation? Have they properly done their work as parliamentarians? Have they read the bill? Are they representing all their constituents?
Francophone artists would not agree that they have not kept up with the times and have not been able to adapt to the digital age since 1993. That is what I heard said about certain francophones and artists from Quebec.
It is shocking that the Conservatives are trying to accuse our artists of not being able to adapt to the digital age. Quite frankly, that is insulting.
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Madam Speaker, I rise today to speak to Bill C‑11 at report stage. Let me start by saying that this bill matters a lot to the Bloc Québécois and has since the last Parliament.
I spoke in favour of this bill in a speech last month. However, I would be remiss if I did not acknowledge the hard work of my colleague from Drummond, who has devoted himself, body and soul, to this bill ever since its previous incarnation as Bill C‑10. He deserves every bit of the applause I am hearing right now.
I will begin my speech today with a reminder about how important Bill C‑11 is to the discoverability of francophone culture. I will move on to a reminder about the importance of local media, and I will wrap up with an expression of hope regarding the importance of fighting misinformation, which has had such an impact on this parliamentary session.
As I was drafting my speech, I came across the Coalition for the Diversity of Cultural Expressions. The CDCE states that Bill C‑11, which updates the Broadcasting Act, is one of Canada's important and long-awaited cultural policies. On its website, the CDCE has what I think is a very good summary of the importance of Bill C‑11.
It ensures that Canadian creations and productions have a prominent place on our airwaves and on our screens, and that the companies generating revenues from access to culture in the music and audiovisual sectors contribute to their creation, development and distribution.
Canadians are increasingly accessing culture through online platforms. Much of the broadcasting ecosystem is transitioning to digital content. This has a number of benefits for the public and for creators: increased access to a variety of stories, music and ideas, increased opportunities for creators to launch their work, and renewed ability to reach audiences in Canada and around the world...
Many large corporations take advantage of this digital age without any obligation to contribute. Artists, creators, producers, publishers and other professionals of the music and audiovisual industries, as well as for Canadian society, do not reap the potential benefits of investment in the Canadian cultural ecosystem. C-11 was introduced to correct this unfairness.
Unfairness is indeed a problem.
The purpose of the new bill essentially remains the same as the previous one, namely to apply the Broadcasting Act to the web giants by forcing them to contribute financially to the creation and discovery of Canadian cultural content.
The Canadian Radio-television and Telecommunications Commission, or CRTC, will receive new powers that will allow it to determine which online services will have to be regulated and what quotas will need to be respected. Bill C‑11 will help better regulate video streamers such as Netflix, Apple and TV Plus, Disney+, Prime Video, but also companies that specialize in streaming music online such as Spotify, YouTube and Apple Music. The bill will require them to contribute to Canadian content when commercial items such as albums are downloaded and distributed on platforms.
However, the exclusion clause, namely clause 4.1, addressed earlier, has been revised. Now creators, users and social media influencers are exempt from the legislation. The money a creator earns from their content is immaterial in the eyes of the new legislation. So‑called amateur content on social media would be exempt. The legislation focuses specifically on commercial products.
The level of monetization of the use of content in full or in part by a broadcasting undertaking regulated by the CRTC will, among other things, be taken into consideration. The CRTC will also have the option to impose conditions associated with discoverability and the development of Canadian content.
The bill will not touch the algorithms that can influence the recommendations made to users, and that is very important. The Department of Canadian Heritage says it wants to focus on discoverability outcomes and not intervene directly with respect to web giants' algorithms. There are still questions to be asked, for example, on whether the two are not already intertwined and whether greater discoverability of Canadian and francophone content is necessarily dependent on algorithms.
In our case, it is the outcome that counts. Quebec, francophone and Canadian content must be much more accessible on platforms. Ottawa is trying to give the CRTC the power to hold discussions with each of the digital companies to determine how much they should contribute to Canadian content based on their business model. The CRTC will be able to impose administrative and monetary penalties on those digital broadcasters that refuse to comply with the Broadcasting Act.
Finally, the Minister of Canadian Heritage is proposing other legislative changes in his bill that will apply to all broadcasters, traditional or otherwise. The law should also strengthen programs produced by Canadians that cover news and current events—from the local and regional to the national and international—and that reflect the viewpoints of Canadians, including the viewpoints of indigenous persons and of Canadians from racialized communities and diverse ethnocultural backgrounds.
After everything we just talked about with regard to this legislation, I also want to mention the gains that the Bloc Québécois was able to secure with Bill C-11.
The Bloc Québécois did a lot to improve the previous version of the bill, namely Bill C-10, by ensuring the protection and promotion of original French-language programs; the discoverability of Canadian programming services and original Canadian content, including French-language original content, in an equitable proportion; the promotion of original Canadian content in both official languages and in indigenous languages; a mandatory contribution to Canada's broadcasting system if a company is unable to make use of Canadian resources as part of its programming; the requirement for first-run French-language content, in order to ensure there are new French-language shows on Netflix, for example, and not old ones; and a sunset clause that would provide for a comprehensive review of the act every five years.
This is very important, because we will thoroughly review C‑11 and meet with the various industry stakeholders and experts to get a sense of what is happening in the industry. We will have to keep evolving this law. We will not hesitate to try to improve it, if necessary, and we will surely propose again many of the hundreds of amendments that were rejected in the spring. Some of our proposals would have made improvements for local, community and independent players, for example.
We have to keep in mind we want a piece of legislation that will not be obsolete as soon as it is passed. Technology is developing very quickly, and we need a long-term vision to ensure that the act does not become outdated after just a few years. Flexible legislation is important, especially since Quebec's and Canada's cultural sectors have been waiting for decades for this act to be updated.
The cultural sector made a simple demand just a few days after Bill C‑11 was introduced. We need to ensure that this bill is passed quickly. The sector has waited long enough.
In May 2021, on Tout le monde en parle, even the former minister of Canadian Heritage said that every month that goes by without us enacting Bill C-10, now Bill C-11, represents more than $70 million that does not go to our artists in Quebec and Canada.
Second, do not forget that, like Bill C-18, which specifically focuses on assistance to print media and is based on the Australian model, Bill C-11 also fits into the context of this media crisis.
Since their inception, Facebook, Twitter and Google have been appropriating news articles and reports without giving any compensation to the authors or the media outlets concerned. For too many years, the digital giants have therefore been instrumental in dismantling our traditional media. This phenomenon began with national advertisers deserting traditional media for Facebook and Google, later followed by local advertisers, who also stopped buying advertising in local weeklies in favour of the giants.
Advertising on digital platforms is now the property of Google and Facebook, which alone are pocketing 80% of online ad revenue. Moreover, digital giants pay nothing for journalistic content that ends up on their platform, and they disregard the copyright of journalists whose work others share on social media.
Third, I really want to talk about misinformation, especially since there has been so much of it in connection with Bill C‑11: cat videos that will not be allowed to circulate, freedom of expression denied and information controlled, like in Russia. I have heard so many shocking things during the debates on this issue.
Just this week, the Chief Justice of the Supreme Court of Canada expressed concerns about the impact of misinformation on the health of our democratic institutions. He pointed to the demonstration in downtown Ottawa that paralyzed the city for three weeks, but he emphasized the importance of our shared responsibility to fight ignorance and hatred, which lead to misinformation. He expressed one wish for people in positions of authority, such as ourselves, namely that we pay more attention to the statements we make and their veracity.
I also replaced a colleague at the Standing Committee on Public Safety and National Security during its deliberations on radicalization and online hate. We cannot continue to ignore our role as elected representatives in the deterioration of public discourse on topics like Bill C-11 and in the divisiveness that exists. I hope to see this place debating a bill to address online hate sooner rather than later.
As a final point, I do not know whether this will be my last speech of the session, so I want to remind everyone listening of my unwavering commitment to the people of Shefford. I always keep in mind that I am accountable to my constituents, first and foremost, and, in this case, I am thinking of our local media in particular. I want nothing but the very best for the people of my region who have a right to access francophone cultural products, and for our artists, who have such an important and vibrant presence in our communities. They have been hit particularly hard by the pandemic, so they need some good news. Let us do something for them and pass Bill C-11.
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Madam Speaker, discoverability applies to French-language content. My colleague from Beauport—Limoilou pointed out in her speech that she has a hard time finding French-language content on these platforms.
This also applies to our indigenous peoples, who need visibility. Last week we had a debate on missing and murdered indigenous women and girls. There are all kinds of stories in the news that show how important it is to be in touch with indigenous peoples and show that they also need to be discovered.
Discoverability is not just for francophones. It is also for indigenous people and many others as well, thanks to Bill C‑11.
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