- Member of Parliament
- Member of Parliament
- Bloc Québécois
- Trois-Rivières
- Quebec
- Voting Attendance: 62%
- Expenses Last Quarter: $100,349.98
- Government Page
Madam Speaker, I thank my hon. colleague for her passionate speech.
She began by talking about art. Art certainly offers a certain perspective on nature. Something becomes art when the viewer decides that it is artistic. An author once said that to read a book is to write another. The artistic aspect certainly lies in someone viewing it more than its distribution. We know that everything in the art world is what ultimately constitutes culture.
I want to ask my colleague what impact Bill C‑11 will have on culture.
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Mr. Speaker, I can agree with my colleague on the fact that the CRTC is a stale, last-century institution that is not equipped to deal with today's reality. However, I do not share his obsession with CBC/Radio‑Canada.
That being said, there is currently an imbalance in the market between David and a few Goliaths. This imbalance contributes to cultural flattening by allowing one type of news to dominate. I would like to know whether my colleague recognizes the imbalance of power. Could he explain to me what he will do to mitigate the consequences of this imbalance, which is having an adverse effect on culture?
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Mr. Speaker, I thank the House for the opportunity to speak to Bill C‑11. I am very proud of this bill and will explain why.
I want to take this opportunity to mention that my son started working on air in radio this morning. I wish him well with discoverability. I will also add that my daughter is a documentarian and recently produced a documentary on Montreal in the disco era. I have two children working in the arts, in French, which is why this topic is particularly important to me.
In addition, my riding of Trois-Rivières is a place where many artists converge. People are familiar with Fred Pellerin and, perhaps, the Lemay brothers. There are also people in studios producing soundtracks that are distributed all over the world, even in China. The Cogeco auditorium just recently hosted Harmonium symphonique, so it is safe to say that Trois-Rivières is awash in culture.
Speaking of culture, I want to address one criticism. In the past, a number of people—although there are fewer of them now—have asked me what the Bloc Québécois's role is in all of this. We defend the French language and francophone culture, which means that we protect and support artists.
As soon as we saw Bill C-10, we could tell that protecting French was not a strong priority. English is appealing; it is everywhere on the web and in music. I have nothing against English. However, what bothers me is that English is becoming the singular way of thinking, which means that culture is disappearing.
Let me give you an example. Recently, I was with people from the OECD who were presenting a framework for analyzing artificial intelligence. Being a language specialist, I asked the woman which language the framework was designed in. She told me that everyone had met in Paris—people from Egypt, Brazil, Canada and everywhere. I asked her what language these people spoke while in Paris, and she said that they had been working in English. There is nothing wrong with that, but the very nature of the thought process is different.
That is what people mean when they talk about losing a culture and losing a way of thinking. That is why the discoverability we have all been talking about here is important. We have to be able to develop francophone content, and it has to be a priority for online companies. With Bill C‑10, we had concerns about whether the CRTC, as a relic of the 20th century, would have the wherewithal to take action on this. We proposed amendments that addressed the situation and resolved those concerns. Our francophone artists will reap the rewards.
We also considered the impact of Bill C‑10 on freedom of expression. My colleague from Drummond proposed amendments that were agreed to, amendments that can provide reassurance to artists and content creators.
Next came an unjustified hiatus because of the election. Perhaps it was not completely unjustified; after all, I was elected. People lost money because of the hiatus because it delayed the introduction of Bill C‑11. My colleague from Drummond was undeterred. He kept working just as hard, single-handedly advancing the cause of content creators, because that is what the Bloc Québécois does: We do it all for Quebec.
We clarified the concept of decision. This may seem simple, but it is not. Decision is a word, and, as I often point out, a word is a construct of sound and meaning. We added meaning to the word decision.
We also insisted on maintaining Canadian ownership and Canadian control of the broadcasting system. We insisted and will continue to insist on the chair of the CRTC becoming proficient in French. This is not a preference, but a necessity. A culture cannot be understood if its language is not understood. Throughout the current process, the Bloc Québécois kept pressuring the government to do more for Quebec.
Sadly, the debate gave way to disgraceful comments. I am thinking in particular about the member for Lethbridge, who told Alberta media that some provisions of Bill C‑10 targeted a very niche group of artists from Quebec, outdated artists stuck in the early 1990s because they failed to be competitive on the new platforms. She went on to say that these Quebec artists produce content that Canadians simply do not want.
One would be hard pressed to find greater contempt. Throughout the debate, I heard several colleagues, especially on the Conservative side admittedly, express their concerns about freedom of expression.
That is an important topic, so I took the time to ask three colleagues in the House how they would define freedom of expression. Interestingly, other than saying that freedom of expression is important and essential, no one was able to define the concept and what they understood by it. I was not convinced by the argument.
Invoking something does not make it real. Instead of wasting time with baseless arguments, the Bloc Québécois prefers to take action and protect content creators. Quebec culture is at the heart of the Bloc Québécois's mission. Broadcasting is one of the most effective tools for sharing this culture, which is our identity.
The Bloc Québécois is clearly in favour of modernizing the Broadcasting Act, which has not been updated in ages, not since 1991. Obviously, the evolution of technology has not been taken into account.
The Bloc Québécois also contributed significantly to the previous version of the bill, Bill C-10, by securing the following gains: the protection and promotion of original French-language programs; the discoverability of services, and I will not dwell on this, since it has already been discussed at length; the promotion of Canadian programming in both official languages and in indigenous languages; a mandatory contribution to Canada's broadcasting system; the requirement for first-run French-language content, in order to ensure there are new French-language shows on Netflix, for example; and a sunset clause that would provide for a comprehensive review of the act every five years.
When my colleagues ask about the purpose of the Bloc Québécois, I can say our purpose is to protect, promote and take care of francophone culture. The Minister of Canadian Heritage promised us that the Bloc Québécois amendments would be included in the new version of the reform, and indeed, we see significant evidence of them. We have to admit it. That said, the wording obviously differs. Some words are changed here and there, which can change the meaning a bit, but we have to admit that it is quite clear.
Quebec's and Canada's cultural sector has been impatiently waiting for this act to be updated. It has been waiting for decades. The first request from the cultural sector is simple: ensure that this bill is passed. That is what we are being asked to do. Earlier, there was mention of the $70 million estimated by the then Minister of Canadian Heritage. It was an estimate, but a reliable one.
Since the beginning of time, it was said that everything that happened happened within the bounds of space and time. Nothing could exist outside space and time. Globalization and the Internet turned this idea upside down. In 2022, the virus has no borders, inflation has no borders and culture has no borders. It is time to pass Bill C‑11 before time ravages our Quebec and Canadian cultures, turning them into a monolith.
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- Mar/1/22 5:07:00 p.m.
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Madam Speaker, I thank the member for Edmonton for his suggestion.
Quebec is willing to recognize a nation from its inception. A nation sets itself apart through, and is defined by, its language, which reflects its culture.
We are fully willing to recognize other cultures, nations and languages. We have always been in favour of that.
I welcome his suggestion.
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Madam Speaker, I thank my colleague for his eloquent speech on culture. That is something we do not hear often enough within these walls.
I also liked that he talked about freedom of expression, not in terms of censorship, but rather in terms of the need for artists to express themselves. To do that, they have to be able to earn a living, so it is another form of freedom of expression.
I would like to know whether, in terms of revenue or discoverability, artists should rely on the web giants or rather on us, on the government.
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