- Member of Parliament
- Liberal
- Lac-Saint-Louis
- Quebec
- Voting Attendance: 67%
- Expenses Last Quarter: $123,581.21
- Government Page
Madam Speaker, it is a pleasure to rise again to speak to this bill. I spoke to Bill C-10 in the previous Parliament and I have spoken to Bill C-11 in this Parliament, and this debate around the Conservative amendment provides an opportunity to speak again.
I would like to start out by saying that Conservatives fancy themselves experts on all things to do with markets and the marketplace, but ironically they do not appear to understand markets. They do not seem to understand marketing distribution systems and networks, and the convergence of interests, big money interests, that occurs within these systems and networks.
In any market, big players, through their market power, can control distribution of product, physical or cultural. They can distort markets by deciding what consumers can have access to. It is an immutable law of the marketplace, as ironclad as the law of gravity itself, that the big players seek greater and greater market power, including through vertical integration. For example, distributors often seek to become producers of product. In the cultural sector, they seek to become producers of content. We see this with the big streaming services like Netflix and Amazon. In the case of Amazon, a company that was basically a mail-order house has also become a streaming service that does cross-marketing. When people order something on Amazon, they are asked if they want to subscribe to Amazon Prime.
Streaming services not only distribute content; they produce it more and more. It goes without saying that they have an interest in all of us being properly exposed to the content they produce at great cost. What is more, we see platforms like Google and Meta using their monopolistic muscle to intimidate duly elected governments, which I find unacceptable. This is whom the Conservatives are defending: the big streaming platforms, not the small, independent creators. They are sidling up to the big kids in the schoolyard. We are a long way from Adam Smith's free market of equals who bargain in the town square and achieve a fair equilibrium.
On the subject of algorithms, the bill is clear: The government cannot dictate algorithms to streaming platforms, end of story. The book is closed on that. In fact, it was never opened. Proposed subsection 9.1(8) of the bill reads, “The Commission shall not make an order under paragraph (1)(e) that would require the use of a specific computer algorithm or source code.” That is in black and white in the bill and has been since the very beginning, yet we keep hearing from the other side that somehow the government is trying to control algorithms. When members are characterizing what is in the bill as fake news, I find that very Trumpian. It is not fake news; it is fact, and it is fact in black and white in legislation.
There is also an assumption in the narrative of the official opposition that social media algorithms mean freedom, but algorithms are not the doorway to freedom. They can be straitjackets, straitjackets of the mind. They can be blinders. We know they can lock people in echo chambers that amplify their own ideological biases. Social media algorithms are not necessarily designed to expand one's horizon. On the contrary, they can be designed to narrow one's field of vision. They are myopic and can be used to promote specific economic and political interests. It can be through algorithms that biases are reinforced and, in some cases, that misinformation is given a high-octane boost.
Let us look at radio by way of analogy. Radio of the 1970s, when CanCon was introduced by a Liberal government, is not so different from streaming today, even though the Conservatives have tried to tell us that these are apples and oranges and cannot be compared. We can superimpose the Conservative position onto 1970s radio and see what would have happened if that argument, that ideology, had been applied to music on radio.
The opposition says that Bill C-11's discoverability features cannot be compared to CanCon, that they are night and day, apples and oranges. They argue that we needed CanCon when faced with the limited resource of radio frequencies and that this solution is no longer needed because the web is limitless and opportunities to be heard are infinite.
I agree about the web. It is an infinite ocean of limitless voices, large and small, and herein lies the contradiction in the Conservative narrative. How can there be censorship by governments, or anyone else for that matter, in the endless ocean that is the World Wide Web? It is an oxymoron to speak of censorship in the cyber-era, unless we are in North Korea, where Conservatives appear to think we live. Today's challenge is not censorship, but misinformation and disinformation amplified by bots and algorithms.
Let us go back to CanCon and radio. The reason we needed CanCon was to counter a powerful, U.S.-centric distribution system whose financial interests were not necessarily those of Canadian music creators. Without CanCon, radio stations would have played only music provided to them by multinational record companies with an interest in promoting the musical artists they invested in. How would radio stations have decided what songs to play from all the music supplied to them? Playlists would have been compiled according to listener requests, requests based on the music supplied by the record companies and played on the radio, and on record sales at record stores stocked with records also supplied by the same foreign-owned record companies.
In a sense, without a requirement for CanCon, which is a form of discoverability, the de facto music industry radio algorithm would not have left much space for great Canadian music.
Finally, the Conservatives say that if Canadian culture cannot make it on its own, without any kind of government support, then it should face the judgment of the marketplace. They seem to view Canadian culture as the latest automobile.
If the Conservatives are so vehemently opposed to government intervention, the support of culture, are they asking that we eliminate Telefilm and the Canadian film or video production tax credit, which support Canadian films, many of them award winners? I think that is one of the questions that need to be asked here.
1064 words
- Hear!
- Rabble!
- add
- star_border
- share
Madam Speaker, this is the second time I am rising in the House to speak to this bill. I also spoke when Bill C-10 was introduced and first debated. I have been very interested in this subject for many years.
I would like to share an experience I had before I was elected. I was a legislative assistant to my predecessor, the well-known Quebec and Canadian politician Clifford Lincoln, who, at the time I worked for him, was the chair of the Standing Committee on Canadian Heritage in the 1990s. Mr. Lincoln is a visionary. He wanted the committee to undertake a fairly thorough, wide-ranging study of the Canadian broadcasting system. The study was spread over several meetings, over several weeks and months. In the end, the committee produced a huge document, an extraordinary tome, on Canada's broadcasting system. I think it was even used in some post-secondary courses, because it essentially became the bible on our broadcasting system.
We realized, even then, that the system was changing very quickly with the new technologies. The committee hired two researchers on contract for the adviser: an academic from the Université de Montréal and an academic from the University of Calgary. I remember that one of the academics, who was an expert, said that in a few years, everyone would be their own documentary filmmaker. He said we would have a device that we could use to film all sorts of things and create our own videos and our own high-quality films, real documentaries of everyday life. In fact, that is where we are now. The broadcasting system has changed extremely quickly.
This bill is essential if we want to adapt to new realities, and we need to adapt urgently. Franco-Canadian and Quebec culture are under constant pressure—obviously we all know that, it has been said in the House—by the cultural machine that exists for the most part in the United States. It is well funded, very powerful and it attracts a wide audience on a regular basis. That means there is enormous pressure on Canadian culture, including Quebec culture.
When the Conservatives constantly challenge this bill and, before that, Bill C‑10, they are not doing any favours to those who want to protect and promote Canadian and Quebec culture. By dragging their feet, the Conservatives, in my opinion, are harming our Canadian creators, including our Quebec creators.
We keep hearing from the Conservative opposition that Bill C-11 is a form of censorship and citizen control by the government, and that Canadians will somehow have their freedom of thought limited by seeing a streaming service menu with a smattering of Canadian works visible on it. I ask members to think back to the 1970s, when the federal government created the MAPL system for radio. Suddenly, we had to listen to a minimum percentage of Canadian music on the radio. Imagine: a kind of music dictatorship.
The boost to Canadian musical performances was significant after the MAPL system was instituted. By the 1990s, Canadian music artists dominated the charts around the world in multiple categories. Actually, by the 1990s, Canadian women music artists dominated the global market. Alanis Morissette, Shania Twain and Diana Krall come to mind.
We do not hear the Conservatives referring to the introduction of the MAPL system as the dark age of radio censorship by the Liberal Pierre Trudeau government. After all, unlike today, there was a limited of number of musical outlets available to access music then. There were no Internet-based music platforms, only a finite number of radio stations owned by corporations, not listeners.
Why did the Conservatives at the time not cry “censorship” or “lack of free choice”? Why did they not say, “We cannot choose what we want to listen to”, “There are no alternative sources”, “There is a limited number of radio stations”, or “If we want to listen to something else, we have to pay at the music store, which is a form of taxation”?
Why did the Conservatives not say, “Stop telling us what to listen to on the radio”? They never asked, “Why will these Liberals in Ottawa not let us listen to what we want?”, or “Why do we have to listen to The Band, The Guess Who, Susan Jacks, Robert Charlebois, Ian and Sylvia, and Michel Pagliaro, alongside the Rolling Stones, Led Zeppelin, Bob Dylan and so on?”
Do members know why? It is because the Conservatives had moderate and reasonable leaders in those days, such as Robert Stanfield, Joe Clark and Brian Mulroney. Do members know why the Conservatives do not object to CanCon in radio today? It is because they know Canadians love their Canadian music and Canadian music artists, and to attack Canadian music would be unpopular, even among the members of their base.
To say the government would be censoring the Internet through Bill C-11 is laughable. No, it is actually preposterous. Such talk creates unfounded fears, and it alarms Canadians for no reason. To say one can censor the Internet today is akin to standing next to Niagara Falls and saying that one can stop the massive and endless flow of cascading water. There is as much chance of the government being able to censor the Internet as there is of me capturing air with my hand, so let us stop the hyperbole and let us stop the antics. They are not worthy of this place.
I received an email from a constituent the other day who strongly opposes Bill C-11. They were obviously on the Conservative Party blast email list. I could tell by some of the themes that kept coming up. I wrote back to explain the facts about the bill, including the reference to charter guarantees in the body of the bill, so I think I will take a moment to read some of these charter guarantees.
It says this quite clearly in the bill:
10.1 For greater certainty, the Commission shall make orders under subsection 9.1(1) and regulations under subsection 10(1) in a manner that is consistent with the freedom of expression enjoyed by users of social media services that are provided by online undertakings.
It is here in black and white. It is in the law.
We can tell the opposition not to worry about it, that it is in the law and that all these guarantees are laid down in the law, but they will not believe it. They still send those emails to their supporters saying the Liberal government is trying to censor their thoughts and trying to influence the way they think for political purposes. It is in the law.
It says this as well, in proposed subsection 2(3), under “Interpretation”:
(3) This Act shall be construed and applied in a manner that is consistent with
(a) the freedom of expression and journalistic, creative and programming independence enjoyed by broadcasting undertakings
It is not even legalese. It is extremely clear, and even a non-lawyer like me can understand it.
When I wrote back to this individual, I also referenced the mandatory charter statement that accompanies all bills tabled by the government, a requirement, as members know, that was instituted by our Liberal government. This was not a requirement before 2015. At that time, when the government introduced a bill, there was no independent charter statement by Department of Justice lawyers, who have the professional responsibilities of integrity and calling it like it is. There was no independent charter statement on a bill, so we saw a lot of bills being introduced by the Harper government that really pushed the limits of charter rights.
I told the individual who wrote to me that the bill is an extension of the decades-old policy of taking measures to ensure Canadian culture is supported in a cultural marketplace dominated by a powerful cultural industry centred outside of Canada and whose priority is not, understandably, Canadian cultural content, to be honest. The person wrote back and said that if Canadian cultural products cannot stand on their own and if they cannot compete in the Canadian cultural marketplace, those products should be left to wither. I thought deep down that this is exactly the Conservative mindset when it comes to culture.
The problem with this view is that it is based on a naive conception of the marketplace and on how the marketplace works in today's reality. It is the ideological belief that today's marketplace is Adam Smith's marketplace: a small town square market where there are no power imbalances between buyers and sellers, and no one buyer, seller or small group of these distorts transactions and bends them to their financial interests. However, that is not an accurate description of the modern marketplace, and I think members will agree.
The fact is that whoever controls distribution controls the market. They control what the market has the opportunity to choose from and consume. This is true in the market for goods and services, which is why, as we know, the banks want to get their hands on insurance. They want to monopolize that market and make sure we buy insurance from them in addition to everything else. This is a normal impulse on the part of market actors, but it is the job of the government to make sure that there are measures in place to prevent this natural tendency toward market dominance from taking place.
In the cultural marketplace, the distributor decides what the audience will see. That is why we have worked so hard to maintain a Canadian-owned broadcasting system in Canada. It is about maintaining an independent distribution system for programming, domestic homegrown programming. If we did not have CTV, Global, CBC/Radio Canada and Télé-Québec, and only had ABC, CBS and NBC in the Canadian broadcasting space, none of the popular Canadian programs we have come to know and love over the years would ever have seen the day. It is that simple.
It is important to mention that streaming services are both distributors and producers. They therefore have an interest in showcasing their own content. The Internet and streaming services are, by definition, not traditional broadcasters, but they are distributors of cultural products nonetheless, and powerful and ubiquitous ones. There is no reason they should not contribute financially to the creation of Canadian cultural products. There is no reason they should not pay their fair share like everybody else.
It is time for the Conservatives to get on board, stand up for Canadian culture and creators and stop telling Canadians that there is a conspiracy to control what they see, think and feel. Such persistent efforts, in my opinion, are a nefarious form of disinformation, and that is why we are at this point here today where we have to get on with the bill. It is a bill that has covered two legislatures and time is pressing. The cultural sphere is galloping ahead with new technologies and new streaming services surrounding us and, of course, providing cultural content that we like to consume. It is not all going to be Canadian, but we should be able to see what the Canadian offerings are.
Somebody asked me the other day if I guessed this means that the CRTC, that great force of evil in the Conservative mind, is going to be writing algorithms for Netflix and Crave TV and whatever other streaming services that we have. The bill says, in black and white, on page 14 of the bill, “The Commission shall not make an order under paragraph (1)(e) that would require the use of a specific computer algorithm or source code.”
Why does the opposition not come clean and mention this in its speeches? It is here in black and white in the bill. The opposition does not care. Even if it is in the legislation, somehow it does not exist. Let us keep going with the talking points that we probably see, I do not know as I do not subscribe, in those blast emails that are moving around the cybersphere as part of the Conservative leadership campaign.
It is here in black and white in the bill. It is also in black and white that the bill does not apply to users of social media. I think it is time to move on. Canadian culture needs the support. It needed the support yesterday. It certainly needs it now. It is time.
2131 words
All Topics
- Hear!
- Rabble!
- add
- star_border
- share
- menumenu
- notificationsnotifications
- home
- mailmail
- searchsearch
