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Decentralized Democracy

House Hansard - 92

44th Parl. 1st Sess.
June 20, 2022 11:00AM
  • Jun/20/22 2:16:41 p.m.
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Mr. Speaker, one of the greatest assets of my riding are the high-performance athletes who bring joy to our community. One of those athletes is here today on Parliament Hill. It is Ann-Renée Desbiens, who brought Olympic gold home to Charlevoix. A native of Clermont who now lives in beautiful Saint‑Aimé‑des‑Lacs, the woman who is known as “the Great Wall of Charlevoix” has collected so many national and international titles that she has basically rewritten the U.S. college circuit record book. In 2017, she received the Patty Kazmaier Award for the top women's college ice hockey player. Supported by a wonderful family, my distant cousin is a brilliant, generous and inspiring woman. She shares her medals, dreams and techniques with fans both young and old, and her famous jersey with her humble member of Parliament. Everyone loves Ann-Renée, an articulate and dynamic woman who is also down to earth. On behalf of myself and the Bloc Québécois, I would like to salute and honour this incredibly talented athlete. My best wishes for a long and successful career to Ann-Renée Desbiens, “the Great Wall of Charlevoix”.
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  • Jun/20/22 5:42:49 p.m.
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  • Re: Bill C-11 
Madam Speaker, I simply want to again applaud the expertise of the member for Drummond, who worked so hard and so thoroughly. I also applaud the brilliant idea of reviewing this law every five years. Could my colleague tell us what he thinks the future holds for Bill C‑11 and what amendments he predicts will be made in five years?
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  • Jun/20/22 6:51:58 p.m.
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  • Re: Bill C-11 
Madam Speaker, I will try to be brief. I congratulate my colleague on his speech and for talking to us about people like Céline Dion and Anne Murray, who we are all very familiar with. Some artists are represented by organizations or agencies in the business. Other creative artists, authors and composers represent themselves, as I do. I have 80 to 85 songs written and released and I have never allowed them to be distributed on social media for the simple reason that I was concerned that someone would take them and that I would not earn anything from them, because they are my property. What does my colleague think of these creators who are not really represented but who have just as much right to the revenues from their royalties?
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