- Member of Parliament
- Member of Parliament
- NDP
- Rosemont—La Petite-Patrie
- Quebec
- Voting Attendance: 64%
- Expenses Last Quarter: $114,314.06
- Government Page
- Nov/30/23 5:44:15 p.m.
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Madam Speaker, the NDP finds my colleague's bill very interesting.
I am going to ask him a practical question. Whether we are talking about the CRTC or a Quebec version of the CRTC, teenagers and young adults do not watch Canadian or Quebec television at all.
How can we suggest Quebec and francophone content when they are listening to music on Spotify, looking at images on TikTok and watching videos on YouTube? What can a Quebec or Canadian CRTC do to change this, which, in my opinion, is a more fundamental issue?
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Madam Speaker, I thank my colleague for his comment and his question. I think that we could have a debate and a discussion at some point on George Orwell's ideological and political views and his real objectives as a left-wing socialist.
To answer his question, I think that it is, in fact, essential that the CRTC has authority over digital broadcasters. That is the purpose of this exercise. It does not expand bureaucracy; there is absolutely nothing new about it.
The CRTC had authority over traditional media, television and radio. Over the past 30 years, no one has died because of that. Things still turned out okay. Now, the law needs to be modernized so that it also applies to web giants and digital broadcasters. I do not see how this creates a major problem. People will be able to watch whatever they want, when they want, as usual.
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Mr. Speaker, unfortunately, it is a bit painful to listen to my Conservative colleague, who is showing just how little she knows about how broadcasting, cultural creation and the CRTC work in this country.
Why does she think it is appropriate for Rogers, Vidéotron and Bell to contribute to the creation of culture, television and film in Canada, but then she defends Google, YouTube, Amazon and Apple and has no problem with them not paying, not contributing to cultural production? Why is she siding with the web giants? Why does she want to continue to exempt them from having to pay their fair share?
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Madam Speaker, when it comes to Bill C‑11, it feels like Halloween. Some members tried to scare people. They disguised themselves and it was just awful.
My colleague is absolutely right. The concept of discoverability is very important. We see that with the new digital broadcasters. There are algorithms that more or less decide what we see on the page when we open the app or the site. YouTube is perhaps the best example of that.
If the song, video or show is not available or easily found by the person who uses Netflix or Disney+, this Quebec or francophone culture will not be consumed. Rules are needed, and it will be important for the CRTC to be clear in its directives to ensure that Quebec and Canadian works are visible and relatively easy to find when the person goes to the digital broadcaster's site. If not, if those works end up 158th on the list, no one will ever see them and that will not advance Quebec or Canadian culture.
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Madam Speaker, I thank my colleague for her question. I know that there is a very active and vibrant artistic community in her riding that has been weakened by the laissez-faire approach of successive federal governments and by the current crisis, which is still ongoing.
I think she made an excellent point. As a progressive opposition party, we must be very vigilant about the powers given to the CRTC.
I spoke a bit about that earlier. We need to be very serious and firm about information, data transparency, negotiations with web giants and the obligations that will be imposed. In my past life, I often saw the CRTC being somewhat lax, weak and complacent with large corporations.
If the directives and guidelines are unclear, we cannot automatically assume that the CRTC will do the right thing.
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