- Member of Parliament
- Member of Parliament
- Conservative
- Lethbridge
- Alberta
- Voting Attendance: 65%
- Expenses Last Quarter: $131,565.29
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Madam Speaker, the hon. member mentioned that this is about making sure that Canadians are able to tell their stories and that culture is preserved.
Other lines that have been used in the past include that a level playing field is created. Yet, what we know is that there are these digital first creators or YouTubers, TikTokers, people on Instagram who are able to garner an audience for themselves based on showing off their talent, not just to Canada but to the world. These individuals are enjoying tremendous success.
This bill would actually stifle them. That is what they have reported. I am curious: what about their stories? What about indigenous creators? What about Black creators? What about those individuals who have gone above and beyond to use new media to successfully garner a global audience?
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Mr. Speaker, once again, the Prime Minister has proved he is either incompetent or absolutely committed to misleading Canadians every step of the way.
He continues to do this over and over again. The fact of the matter is that Bill C-11 would actually tip the scales in favour of traditional broadcasters by punishing digital-first creators, artists and those who use TikTok, YouTube, Twitch or Spotify in order to get their message out. Somehow, magically, this is supposed to protect Canadian culture. “Punish the little guys; reward the big guys” is the plan here.
Why does the Prime Minister insist on punishing digital-first creators?
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Mr. Speaker, the Prime Minister continues to mislead Canadians.
He tells them that Bill C-11 will level the playing field. What he means by this is actually that digital-first creators, those who produce on YouTube, TikTok or Twitch, are too successful, so they actually need to be held back through more regulation and by putting fees on top of them. Digital-first creators would be forced to subsidize commercial broadcasters.
I will let that sink in for one moment: The government's definition of levelling the playing field looks like punishing those who are successful, so they can be equal with those who are not. How is that fair?
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Madam Speaker, the hon. member, during his speech, made a comment about digital-first creators. He said that they will not be captured by this legislation. This is a talking point that is used over and over by the government.
It is very clear in the legislation that anything that uses music will be captured, and therefore the CRTC regulations will be applied to those things. TikTok videos, by their very nature, use music. That is how they are created and that is how they are structured. If a TikTok video posted by a digital-first creator has music, then the regulations of the CRTC would be applied to it.
I would like the hon. member to help me understand his pretzel logic as it relates to how these TikTok videos might possibly be exempt from the regulatory arm of the CRTC.
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Madam Speaker, when the hon. member brings up web giants and the need to make sure they pay their fair share, that is incredibly misleading. That was actually already addressed last summer. They now have to pay GST. Make no mistake: that is not a part of this legislation. What is a part of this legislation is actually going after those digital-first creators, those new innovative artists, and asking to take 30% of their revenue to give to traditional, antiquated, outdated artists who cannot make a go of it otherwise.
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Madam Speaker, there is no doubt that there are amazing artists in this country. Of course there are. We are Canadian. We have 37 million incredible people who call this place home. Of course there is extraordinary talent.
Of course there are artists across this country who deserve to be celebrated and deserve to be promoted, but that does not mean that the government intervenes. It does not mean that the government gets to pick winners and losers. It does not mean that the government gets to go after those individuals who are using non-traditional platforms in order to achieve great success and take money from them and demote their content in order to give that money to traditional broadcasters and traditional artists and promote those artists at the expense of the digital-first creators.
This is nonsense. Instead, yes: We should be celebrating the amazing artists that are coming out of this country in every facet, whether it is through traditional broadcasting systems or through digital-first creation. Yes, let us celebrate them, but what I am saying today is that the government does not need to get its sticky, grimy hands on this.
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Madam Speaker, the individual across the way made mention in her speech that through Bill C-11, money will be taken from broadcasters and put into an art fund, and artists will then be able to pull from that art fund in order to generate more “Canadian content”.
She said this is an investment in broadcasting of Canadian material. When I look at YouTube, TikTok, Twitch or Snapchat, I see some incredible up-and-coming Canadian artists. We call them digital-first creators, and they will be captured under this piece of legislation. There is good potential that 30% of their revenue will have to be contributed to this art fund.
Can the hon. member help me and those digital creators understand whether they would have the opportunity to also pull from that fund by applying for grants from it, in the same way that they are paying into it?
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Madam Speaker, the hon. member across the way talked about the importance of this piece of legislation and how it is going to expand diversity. He went on to say that Canadians deserve to “see themselves” in the stories that are being shared. What I find interesting is that this bill would allow the CRTC to regulate online creators. Now, the CRTC, the commission or governing body that will be responsible for making sure the bill is followed, is composed, interestingly enough, largely of white middle-aged men. In fact, there is only one woman on the leadership of the CRTC. Sorry, there is more than one woman, but only one non-white individual on the CRTC.
I am just wondering: Is this the type of diversity the member sees as needed in public broadcasting?
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