SoVote

Decentralized Democracy

Martin Champoux

  • Member of Parliament
  • Member of Parliament
  • Bloc Québécois
  • Drummond
  • Quebec
  • Voting Attendance: 68%
  • Expenses Last Quarter: $108,134.67

  • Government Page
  • May/23/24 1:07:36 p.m.
  • Watch
  • Re: Bill C-11 
Madam Speaker, I thank my colleague for his speech, and I especially thank him for putting something into each sentence of his speech that would provoke questions or reactions from me and other members from the Bloc Québécois. I would need 15 minutes to ask all my questions and challenge my colleague on some of his claims, but I will try to be more constructive. First, I would tell him that 82% of Quebeckers who were polled in March want the federal, provincial and municipal jurisdictions to be respected. Whether it is about health care or anything else, 82% say that everybody should mind their own business. That is clear. I particularly liked the example my colleague gave about the success of centralization when he mentioned the CRTC. This example is of particular interest to me because, first of all, I worked closely with the government to improve the Broadcasting Act with Bill C-11, and because I am a strong supporter of culture, language and all that. However, I was taken aback to hear the CRTC characterized as a centralization success story. Without the intervention of the Bloc Québécois, almost no protections for francophone culture and Quebec broadcasters would have been included in Bill C‑11, which the CRTC is currently looking at. I would like my colleague to tell us what he thinks of the idea that the Bloc Québécois has been promoting for years: to create what would essentially be a Quebec version of the CRTC to manage more to benefit—
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Madam Speaker, I thank my colleague from Elmwood—Transcona for being so concise. On this February 15, before I begin my speech, I would like to salute a few illustrious people, namely François-Marie-Thomas Chevalier de Lorimier, Charles Hindelang, Pierre-Rémi Narbonne, Amable Daunais and François-Stanislas Nicolas. We think of these persons today, as we have done every year on February 15 since 1839. The bill we are discussing today is a very simple bill. What we are really asking is that the Canadian Radio-television and Telecommunications Commission Act be amended to ensure that Quebec is systematically consulted when the CRTC puts in place any regulations that would have an impact on Quebec culture. It is a short bill involving one very simple amendment. Earlier I listened to my Conservative colleague recount the events that followed the passage of Bill C-11. When Bill C-11 was almost ready to be passed, the Conservative Party released a letter that was sent to the government, the Liberal Party, to the heritage minister at the time. That letter set out Quebec's specific demands with respect to Bill C-11, which reformed the Broadcasting Act. I would like to provide a bit of context. With a little good faith, I think that my Conservative colleague will lend credence to what I am going to tell the House. The Conservatives unduly delayed and blocked the bill in committee for a very long time. Quebec had demands and it was not consulted during the study of the bill, at least not formally. By the time Quebec's demands finally arrived, the bill was about to be passed. Does that mean that the demands therein were illegitimate? No, not at all. Realistically, however, it was too late to reopen the file in committee and go back to the drawing board, so to speak. If my Conservative colleague had the slightest understanding of how the Government of Quebec operates in this kind of situation, he would not have talked about having Quebec's minister of culture and communications, Mathieu Lacombe, appear before the committee. If he had the slightest understanding of how the relationship between Quebec and Ottawa works, he would know that Quebec government ministers do not testify in committee. They have a nation-to-nation relationship with Ottawa. They speak minister to minister. Ministers from Quebec do not appear before committees. He should know this, but he does not. It was much more dramatic to take the letter and say that the Bloc and the Liberals do not listen to Quebec. He said the Bloc did not listen to Quebec, did not listen to cultural groups and did not listen to groups in Quebec's broadcasting sector during the study of bills on broadcasting, online news and anything to do with Quebec culture. What a joke. It is funny, actually, so that is how we will take it. That being said, we have here Bill C-354, which was introduced by my colleague from La Pointe-de-l'Île. This bill addresses one of the most important demands set out in that letter from Minister Lacombe and the Government of Quebec. This is a natural demand and Minister Lacombe was not the first to make it. Quebec's need, its desire, its demand to have its say in the decisions that are made in Ottawa and that have an impact on francophone culture and the French language dates back to 1929 and has been kept alive by successive Quebec governments. The premier at the time, Louis-Alexandre Taschereau, saw this weird new technology called radio and thought that it needed to be regulated immediately. That is when a regulatory body was created to provide oversight. To no one's surprise, instead of agreeing with what Quebec was doing and choosing to play a part in this regulatory body, Ottawa decided to do something else. It created the Canadian Radio Broadcasting Commission, or CRBC, the current CRTC's ancestor. Both organizations were developed in parallel, as is so often the case, with a tiny intrusion into Quebec's jurisdictions. It seems that this was even more commonplace back then and that people did not complain as much. There was no Bloc Québécois to fight for Quebec in Ottawa. Long story short, wanting to have a say in French-language communications and culture in Quebec is not just a Quebec separatist or nationalist thing. Liberal governments also asked for it, and so did Union Nationale governments. Even former minister Lawrence Cannon, who was a Liberal minister in Quebec before becoming a Conservative minister in Ottawa, asked for it. This is not a demand being made by spoiled sovereignist brats who want to repatriate all powers to Quebec. This is a reasonable request to ensure that Quebec is consulted on decisions made by the next-door nation that affect the Quebec nation's culture. We will be voting on Bill C‑354 in a few days. We are not asking for the moon. At the moment, we are not even asking for the right to immediately create a Quebec CRTC, which is also among Quebec's requests and the Bloc Québécois's plans, and quite reasonably so. For now, this is not what we are asking. For now, we are simply responding to a straightforward request from Quebec. As my Conservative colleague said earlier, the Conservatives tried to promote this request themselves, but it was already too late in the Bill C‑11 process. I presume that the entire House of Commons will support this very reasonable request when we vote on this amendment to the Canadian Radio-television and Telecommunications Commission Act. Bill C‑354 was introduced in response to a request from Quebec, the Government of Quebec and the people of Quebec, and I think everyone in the House should agree that Quebec and the provinces that are concerned about preserving French in some of their communities should be consulted when regulations are put in place that will have an impact on the French language and culture in those places.
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Madam Speaker, I would like to thank my Conservative colleague for her comments today. I admit that the members of the Bloc Québécois have mixed feelings. On the one hand, we are tempted to agree with what the Conservatives are saying about the Senate today, but on the other, we have a duty to defend the process that is under way. I am fascinated to see that the Conservatives take a different view of the Senate's work depending on whether or not they agree with the bill it is studying. I remember when senators took the time they needed, and then some, before passing Bill C-11. We never heard anything from the Conservatives about how senators are unelected and had no business delaying a bill that way. Today, I fail to understand the Conservatives' attempt to literally gag the Senate. We have mixed feelings about that. I would like to hear my colleague's thoughts about this. What is the problem? Bill C-234 is at third reading in the Senate. That is how things are usually done. Now, the Conservatives are acting almost like Bloc members, denouncing these unelected members of the Senate who are making decisions that should be made by the House of Commons.
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Mr. Speaker, there are some good ideas in Bills C‑11 and C‑18, but, for now, they are not working. They are not doing anything. That is why, pending the conclusion of negotiations with the web giants in the case of Bill C‑18, an emergency fund for the media is required. That is reasonable. It is essential to maintain the diversity of information in the short term. In the long term, much more will be needed. Now, we can send a clear message to our media that we are taking action to save them. Will the minister quickly set up an emergency fund before we find out that other newsrooms are closing in our media?
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Madam Speaker, a full-blown atomic bomb has dropped on the world of Quebec television. TVA, the most-watched television network in Quebec, will be laying off 547 people, a third of its workforce. We are losing extraordinary artisans of our culture. It is catastrophic. It is catastrophic, but not surprising, unfortunately. If this is happening to TVA, all of our media are at risk. We have to rethink everything, if we want to save our media. A massive undertaking is needed. Does the Minister of Canadian Heritage seriously think that Bills C-11 and C-18 are enough to save Quebec media?
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Mr. Speaker, 1,300 people learned yesterday that they would be losing their jobs at Bell Media. Six radio stations are going to stop broadcasting. When even a giant like Bell can no longer protect its media and newsrooms, the situation is dire. The entire news industry and the people who work in it are all under threat. The Bloc Québécois is proud to have contributed to Bill C‑11 and Bill C‑18, two very important bills. However, I think the minister is beginning to realize, as I have, that this will probably not be enough. In light of these new job losses, does the minister have anything to suggest in order to better protect the diversity of information?
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Madam Speaker, I will take it upon myself to deliver to the Government of Quebec the message given by my colleague, who just finished his speech, that it should pull up its socks on the immigration file. I think it might appreciate the message, but I am not sure. I will begin by saying that I will be sharing my time with my colleague, the member for Terrebonne. Our motion today is very simple. I think it has been a few minutes since we repeated it. It states: That, given that, (i) the Century Initiative aims to increase Canada's population to 100 million by 2100, (ii) the federal government's new intake targets are consistent with the Century Initiative objectives, (iii) tripling Canada's population has real impacts on the future of the French language, Quebec's political weight, the place of First Peoples, access to housing, and health and education infrastructure, (iv) these impacts were not taken into account in the development of the Century Initiative and that Quebec was not considered, the House reject the Century Initiative objectives and ask the government not to use them as a basis for developing its future immigration levels. It is not a very complicated request. It only makes sense. It is a question of understanding each other. This objective of increasing Canada's population to 100 million by the end of the century is something that worries me. I must say that I am finding the ruse to be less and less subtle. It is difficult to believe that the hidden agenda is not basically to put an end once and for all to Quebec's never-ending demands, which certain self-righteous federalist thinkers see as a fly constantly buzzing around their heads. There are two ways of looking at this. The first is to see bad intentions. The government and its policy-makers know full well what they are doing to Quebec by setting immigration targets that are much too high for the province to absorb. They know that by doing this, they are ensuring that Quebec's francophone culture, the Québécois culture, will be completely snuffed out. How will that happen? It will be because of the massive influx of newcomers who, even if they speak French, will not be welcomed as Quebec likes to welcome its immigrants. They will not be able to integrate into Quebec society properly because the infrastructure and services are insufficient and ill-equipped to receive such an influx. What happens when a host society is unable to welcome and integrate its newcomers? This leads to ghettoization. Newcomers gather where they feel safe, where they feel a sense of familiarity, and this creates ghettos. This leads to what we have already seen around the world, including in some Canadian cities. This is not what Quebec wants. Quebec wants large numbers of francophone immigrants so that the common language, the language of work, the language of everyday life, is French. Quebec wants to welcome and integrate its newcomers based on a model that is not one of multiculturalism. Quebec's specificity is precisely that it has a language to protect, a language that is constantly at risk of disappearing in an ocean of some 300 million anglophones in North America. There is also the issue of Quebec's political weight, which is mentioned in today's Bloc Québécois motion and is fuelling this discussion and debate. If Quebec loses political weight within the Canadian federation, it means that the various laws that protect the specificity of the Quebec nation will be open to more vigorous attacks, and Quebec will be even less able to defend itself. Consequently, Quebec will continue to dwindle gradually, little by little. It is a bit like putting a frog in a pot of cold water and then turning on the heat, letting the frog slowly get used to the heat as the temperature rises until, well, we know the rest of the story. I am not sure that has been scientifically proven, but everyone gets the picture. In short, Quebec will fade away and accept its fate, telling itself that a known misfortune is probably more comfortable than an uncertain happiness. We will then find ourselves in the ocean of multiculturalism that Trudeau senior dreamed of all those years ago. I will not be fooled into believing that protecting the French language was part of that particular dream. That widespread lack of sensitivity is disappointing, but it also makes me realize that this is one of multiculturalism's adverse effects on French. We know that Quebec culture is gradually drowning in the Canadian and North American cultural maelstrom. Those who champion French are increasingly viewed by many in the rest of Canada as old grey-haired reactionaries straight out of what they wish was a bygone era. I have to acknowledge that I myself might be an old grey-haired reactionary not unlike my colleague from Berthier—Maskinongé. No doubt he approves. If we allow things to carry on as they are, speaking French will eventually become a mere curiosity. A comparison comes to mind that deeply saddens me. It will be a bit like the first nations we hear about, where the language is still spoken by some elders but has disappeared from everyday use. Young people are trying to resurrect those languages. I recently talked to an Abenaki woman who told me she was trying to relearn her grandparents' language, which is no longer being spoken. Maybe one day my great-grandchildren will ask their grandfather, “Grandpa, say a few words in French.” It will be cute and quaint, but also pathetic and sad. That is what we are trying to protect. We are not trying to sow division or stir up trouble, as our friends on the other side like to say. We are trying to protect something that is dear to us, namely our culture, our language, our specificity. We talk about political weight. Sometimes people say that Quebec's political weight boils down to the number of seats it has in the House of Commons. It seems that some people do not appreciate the importance of that. What is the effect of Quebec having less political weight? In future elections, if we do not correctly adjust the number of seats that go to Quebec, if we do not give Quebec a minimum number of seats, as is the case for other Canadian provinces, we will once again lose the influence we can have here in the House of Commons. We will lose the number of seats held by Quebec members of Parliament. I am not even considering the political affiliation, because the Quebec seats lost will not just be the ones held by the Bloc Québécois, but also those of Conservative and Liberal members of Parliament. There will be fewer of them because there will be fewer seats available for Quebec. Would it have been possible to protect supply management, for example, if there had been fewer members of Parliament from Quebec? The work of my colleague from Berthier-Maskinongé and the Bloc Québécois on this file should be noted. Bill C‑10 also comes to mind. It was tabled in November 2020 as a modernized Broadcasting Act and was later rebranded as Bill C‑11 in the next Parliament. It contained nothing for Quebec culture. Without a strong Quebec caucus and the Bloc Québécois's unwavering determination to add measures to the bill to protect the French language and content created by our artists, I am not sure if the new Broadcasting Act would have provided any protection for Quebec's francophone culture. Quebec's political weight made all the difference. The more influence that Quebec loses within the Canadian federation, the more Ottawa can push its centralizing agenda and keep sticking its big fat nose where it does not belong. On February 8, 2022, the House had a great chance to show Quebec that it believes in the need for Quebec to preserve its culture and acquire tools to protect the French language. On February 8, 2022, I had the honour of tabling, on behalf of the Bloc Québécois, a bill to amend the Constitution Act. Yes, while awaiting independence, a Bloc member is trying to amend the Constitution Act. We simply wanted to add a provision that would guarantee Quebec 25% of the seats in the House of Commons. That would have been a game-changer because, with a threshold of at least 25% of the seats, we would no longer have to worry about the political weight of Quebec being at risk and the consequences that would bring, regardless of any demographic changes that might occur in the coming years. That is why the Bloc Québécois is moving a motion today to reject the immigration levels proposed by the Century Initiative, which the government seems to be following very closely. This is a good opportunity to debate that, but it is also a good opportunity to understand why the Bloc Québécois wants to reject those objectives.
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Mr. Speaker, I did not think that we would make it to this point. Sometimes when we are expecting a quiet day, we realize that there can be a lot of excitement in the House. I want to begin by saying that I will be sharing my time with my very entertaining colleague from Longueuil—Saint-Hubert, which means things will be relatively calm and composed for the first ten minutes and then they should get a bit more exciting once he takes the floor. To begin, I would like to say that I am not exactly disappointed we are approaching the end of our study of Bill C-11. We are considering the amendments proposed by the Senate. I suggest that members mark the date on their calendar because, as a Bloc Québécois member, I commend the thoroughness of the work done by certain senators. I know that some of them really took to heart their task of proposing amendments and improving a bill that, I admit, could still use some tweaking. I would like to acknowledge the dedication of those who took the work seriously and tried to change things by returning a document that they believe is better. There is a reason why the government accepted a great many of the proposed amendments in its response. The amendments passed the test and will appear in the final version the House returns to the Senate. I commend this work. I also want to acknowledge the work of all the members of Parliament who worked on Bill C-11, formerly Bill C-10. I would remind members that the bill was introduced in November 2020. That was quite a while ago. When the bill was introduced, the cultural industry and the Quebec and Canadian broadcasting system had already been awaiting it for decades. The Broadcasting Act had not been updated since the early 1990s. I already mentioned I was working in radio back then. At the time, we had cassettes that we inserted in cassette players. We played CDs, and some stations still played vinyl records. Young people can do an online search to see what a vinyl record looks like. All this to say that, today, we no longer know what the equipment looked like, given how much the industry has changed. The technology, recording methods and ways of producing and consuming culture have changed in surprising and unexpected ways over the past three decades. There is no reason to believe things will be any different in the next three decades. That is why we need to implement a flexible broadcasting law that can handle the technological changes we will see in the years to come. Today there is a lot of talk about artificial intelligence, and we are already questioning that technology because we are concerned about where it will lead. We do not know what broadcasting will look like in the coming years. That is why we need to implement a flexible broadcasting law that can adjust to change. One of the Bloc Québécois's proposals was retained by the Standing Committee on Canadian Heritage and found its way into the version of Bill C‑11 we are currently studying. It was the proposal that we should not have to wait another 30 years to revise the new act. It is a sunset clause. Every five years, we will be required to reopen the act and see whether it is still sufficiently up to date. I think that it is a responsible and intelligent provision that will make us do our job properly. Every time I have spoken about Bill C-11, the underlying concern has always been Canadian culture. Francophone Quebec culture is what really matters to the Bloc Québécois, but we did not limit ourselves to proposing amendments and improvements to Bill C‑11 just for the benefit of Quebec culture. Of course, that is what is most important to us, since it is in our nature, but our proposals to promote Quebec culture will have an impact on all French-speaking Canadians. We stood up for francophones across Canada, and everyone will benefit. The Bloc Québécois made substantial improvements to Bill C‑11. Thanks to these improvements, consumers will be able to find content produced by Quebec creators, artists, singers and songwriters on digital broadcasting platforms, just like they hear it on the radio. They will also see our talented creators' work on video streaming platforms such as Netflix and Disney+. That is huge, because right now, we are under-represented on those platforms. There is a lot of disinformation circulating around the concept of discoverability. The Conservatives came up with this idea that web giants would be required to tinker with their algorithms in order to force Quebeckers and Canadians to watch one type of content rather than another, or to stop them from watching one type of content rather than another. I do not understand how Quebeckers and Canadians could swallow such claptrap. That is not at all what these regulations will do. What they will do is showcase our culture, our industry that generates billions of dollars annually. This will enable it to keep thriving in this new realm, which will also continue to evolve. We need to make room for our culture. Discoverability is not a matter of imposing content on people, but of making content available. Take the playlist of someone who listens to Bryan Adams. I may be showing my age with that example. Perhaps I should have said Justin Bieber. Why not show that person some francophone artists? They are only suggestions. This is just about suggesting that culture. That is all. Right now, the cultural industry is losing millions of dollars a month because there are no regulations requiring web giants to contribute the same way broadcasters and cable companies have contributed in the past. In addition to the tens of millions of dollars in lost advertising revenue, there are also tens of millions of dollars in royalties that artists are not receiving. That is what Bill C-11 will fix. It will force web giants to follow the same rules as traditional broadcasters. I do not see how anyone can be against making billion-dollar companies like Netflix, Apple TV+, Disney+, Amazon Prime Video, Spotify, YouTube and Apple Music contribute to the industry they are making their money off of. This industry is not just made up of CEOs and big-shot producers. There are also people like self-employed cultural workers, film crew and recording studio producers. Many of them left the industry because they knew that it would take time for things to get back to the way they used to be, especially because of the pandemic. If, on top of that, we do not enact regulations to promote investment in the sector, they will never return, and we will lose an incredible valuable resource. Remember, I am talking about hundreds of thousands of jobs in Quebec and Canada. Culture and broadcasting represent billions of dollars in revenue. To me, it is a no-brainer that those who benefit should also contribute. We are finally approaching the end of our study. We will be sending our response to the Senate. I hope that the senators will waste no time doing what we expect them to do, that is, ratify what is coming so that the web giants have to contribute and that our cultural industry can prosper and continue to show the world what it means to be a Quebecker or a Canadian. Our culture is not American, Chinese or European. We have our very own culture, and it is up to us to protect and showcase it. That is what this bill is all about.
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  • Mar/30/23 12:06:14 p.m.
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  • Re: Bill C-11 
Mr. Speaker, I must say that I listened with great interest to the beginning of my colleague's speech. I soon lost interest, because it was redundant. It was just another empty speech that meant nothing and went nowhere. All it did was lay blame and point fingers. This is from a member who spends all his time wearing out his seat here in the House of Commons and very little time doing something, anything, to help advance bills in committee. I found it a bit rich to be accused of delaying or obstructing the progress of Bill C-11. The Bloc Québécois is the party that has probably done the most to advance and improve this bill to ensure it reflects the reality of francophones in this country. The member for Winnipeg North has some nerve, to say that the Bloc is stalling the bill. That is nothing short of insulting. Quebec made some requests under very exigent circumstances. I will, however, ask my colleague a polite question, because we try to remain as civilized as possible in the House. Quebec asked to be consulted as soon as any regulations affecting Quebec broadcasting or francophone cultural content are developed. There has not yet been any response from the government. We are preparing to vote on Bill C-11 this evening under a closure motion. The Bloc will vote in favour of the bill, but there is still some work to be done. What will the government do to respond to Quebec's legitimate requests?
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  • Mar/30/23 11:44:33 a.m.
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  • Re: Bill C-11 
Mr. Speaker, I rise on a point of order. My colleague from Winnipeg North, who just started his speech, is speaking as if we were still debating the closure motion. I simply want to tell the member that we just voted on the closure motion. We can now talk about Bill C-11, which is before us today. The vote is over, and there is no need to insist on the subject.
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  • Mar/30/23 10:46:20 a.m.
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  • Re: Bill C-11 
Madam Speaker, we talked earlier about Quebec's demands. This is a very important subject. Quebec's demands are extremely important, even Quebec has not communicated them to all the parties and to the Standing Committee on Canadian Heritage which is studying the bill. We are preparing to vote, under a gag order, on a bill that will have a significant impact on broadcasting in Quebec and on Quebec culture. Quebec is making a legitimate demand. It is asking that Quebec be consulted on all matters relating to francophone broadcasting and culture. How will the government respond to these very legitimate demands from Quebec, even though we are passing Bill C‑11 under a gag order?
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  • Mar/30/23 10:31:07 a.m.
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  • Re: Bill C-11 
Madam Speaker, it is too bad that we are facing yet another closure motion on such an important bill. It is true that hours and hours have been devoted to studying this bill in committee. Those hours were often monopolized by the Conservatives, who did not want to allow the work to advance because they were sticking to their position and were inflexible. A little more flexibility could have led to a compromise, but that did not happen. My colleague from Lethbridge talked about the Quebec government's requests. I think it is very interesting to hear the Conservatives suddenly take an interest in Quebec culture. Quebec's requests were made to the government and not necessarily to the entire committee. Was it not the government's responsibility to take that into account when the time came to do so and at least share the the Quebec government's requests with all the members of the committee? The Conservatives might not have been here today making this argument, and we might have been wrapping up the work on this very important bill that our culture and broadcasting system have been so eagerly awaiting.
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  • Mar/9/23 2:43:29 p.m.
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  • Re: Bill C-11 
Mr. Speaker, as my colleague was saying, we are now in the home stretch of the passage of Bill C‑11. I would like to remind members that Bill C‑11 seeks to ensure that Quebec culture and Quebec and Canadian artists have their place and can succeed in the new digital world. The Government of Quebec shared its demands concerning Bill C‑11. It is asking that Quebec have a say in CRTC decisions that impact Quebec culture and that the Quebec act respecting the status of artists be respected. How will the minister respond to Quebec's demands?
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  • Mar/9/23 11:28:57 a.m.
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  • Re: Bill C-11 
Mr. Speaker, I congratulate my colleague from New Westminster—Burnaby on his speech. In his speech, he talked a bit about certain artists. I was also listening to my colleague from Kingston and the Islands talk about the Tragically Hip. We could talk about Rush, Bryan Adams, the Montreal band The Box, from the 1980s and 1990s. Goodness, there are tons of many Canadian artists who broke through and went on to have great careers. Thanks to these pioneers who benefited from measures that were implemented to promote and highlight Canadian content and francophone content, especially in Quebec, an entire industry developed, and now it is flourishing and reaching audiences around the world. Without the discoverability measures that were put in place in the traditional media to allow Quebec and francophone content to grow, it simply would not exist. I know that my colleague talked briefly about this earlier in his speech, but I would like his thoughts on the potential that this new bill holds for all creators, including digital creators from Quebec and Canada.
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  • Mar/9/23 11:01:27 a.m.
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  • Re: Bill C-11 
Mr. Speaker, I thank my hon. colleague from New Westminster—Burnaby for his question. I too really enjoy working with him on the Standing Committee on Canadian Heritage. No, I do not see those things. As I said earlier, misinformation is being used to fearmonger regarding issues like freedom of expression and the freedom to surf the web without impediment or constraints. I think this has more to do with bad faith and fearmongering, to serve their own interests. I guess it pays off politically. I confess that I do not resort to spreading disinformation, or at least as little as possible. If I do, it is truly accidental, and I apologize in advance. No, I do not at all see what the Conservatives see in this bill.
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  • Mar/9/23 10:59:22 a.m.
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  • Re: Bill C-11 
Mr. Speaker, Drummond's troops are at the Saint-Hyacinthe—Bagot border as we speak. I believe this dispute will be resolved. The concern he mentioned is well founded, given that we are seeing interference of all kinds from foreign powers nowadays. There are media outlets putting out dubious propaganda originating from various countries. The CRTC took measures to block some of them, but this is clearly not a tool that is being used willy-nilly. I think that so-called alternative content will continue to be accessible, provided it is not subversive. That is clear.
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  • Mar/9/23 10:56:37 a.m.
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  • Re: Bill C-11 
Mr. Speaker, at the beginning of my speech just now, I commented on how much I appreciated the collaborative atmosphere at the Standing Committee on Canadian Heritage. To be clear, I was speaking directly to my colleague from Bow River, who is a big fan of culture. He was right at home on the heritage committee. I really enjoyed our conversations. Now, visual arts—painters and that whole side of things—are holding their own. However, in today's world, a world where things are opening up and borders are disappearing, the digital world, social media and major broadcasting platforms have to be accessible. It is much harder for a small francophone market in an anglophone sea to gain access. That is why Quebec artists, francophone artists, our very own creators, need that support in order to be seen, to get their names out there. They do not want to force themselves on the rest of the world. They just want a way to be visible on those platforms. That is what this is really about.
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  • Mar/9/23 10:54:34 a.m.
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  • Re: Bill C-11 
Mr. Speaker, I thank my colleague from Rosemont—La Petite-Patrie for his great question. I will even add that, once Bill C-11 is passed and the reform of the Broadcasting Act is implemented, it will enable certain TV and radio broadcasters with very specific missions that serve under-represented communities to survive and blossom. As for my colleague's question about the Conservatives' stand, yesterday, I was very perplexed by the speech given by one of my Conservative colleagues, in which she talked about how much she loves artists in general, but especially digital artists. I am very perplexed that the Conservatives moved an amendment to do away with the bill, rather than trying to improve it. I think that says it all.
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  • Mar/9/23 10:52:24 a.m.
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  • Re: Bill C-11 
Mr. Speaker, that is an interesting question. I think there are a lot of things that are going to have to be uncovered as the act is implemented. I also think this legislation will open the door to more creation, and that includes new types of creation as well. I think digital creators are going to benefit in the long run. I want to tell the digital creators who have expressed concerns to us about Bill C-11 to wait and see what happens when the law is implemented. We will make adjustments if necessary. I am confident that it will be fine, but if they still have concerns after these changes to the Broadcasting Act are in place, we will always be there to represent them and make the necessary adjustments. In fact, the Bloc got sunset clauses added to Bill C‑11, which means that the act will be reviewed every five years. That will ensure that we do not spend another 30 years with problems building up, as was the case with the last version of the act. Every five years, we will be able to do a review and correct the things that need to be corrected.
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Mr. Speaker, as I was just saying, when I heard the comments made by my colleague from Lethbridge suggesting that the artists would not benefit from the reform of the Broadcasting Act, I made a few phone calls. I contacted a few of my artist friends to ensure that the bill would benefit the cultural associations and businesses and not just the broadcasters. They all told me that artists and creators have been awaiting the bill just as eagerly as cultural businesses have. In all humility, I have to say that I am not the most artistic member of the Bloc caucus. The member for Longueuil—Saint-Hubert, Caroline Desbiens, had a brilliant career in television and theatre. There is also the extraordinary artist we call “La Marsouine”, the member for Beauport—Côte-de-Beaupré—Île d'Orléans—Charlevoix. She is a songwriter whose work is well known among the international francophonie. There are people in the Bloc Québécois caucus who know what they are talking about. We were inspired by these people and we fought for this bill on behalf of our colleagues who were themselves part of the arts scene. They can tell us how regulating the broadcasting sector benefits our artists. Here we find ourselves at another stage of Bill C-11. This may be the last step; we hope it is. As we have seen, our Conservative colleagues are once again trying to kill this bill. After finding some particularly creative ways to delay its study in committee, yesterday they even brought forward an amendment to completely gut the bill. All this after accusing the Bloc Québécois of failing to stand up for the demands of the Quebec National Assembly. Let us talk about the demands of the Quebec National Assembly. I found it quite rich to hear the Conservatives say that the National Assembly opposed the passage of Bill C-11 as is when, in June 2022, the National Assembly unanimously adopted a resolution that stated the following: Whereas the federal government is under pressure from multiple sources to ensure social media is not subject to Bill C-11, while many companies commercially stream musical and audiovisual content; THAT the National Assembly recall that Québec’s cultural production and its uniqueness are strongly disadvantaged by the lack of regulation of online streaming platforms and social media; THAT it affirm that it is essential that all online streaming platforms, including social media, be subject to federal and provincial laws, such as C-11, so that all digital broadcasters, whether Canadian or foreign, contribute to the creation, production, broadcasting, promotion and discoverability of Québec content; I will spare members a reading of the full text of the resolution. It concludes as follows: THAT, lastly, it urge the federal government to include social media governance in Bill C-11 to amend the Broadcasting Act. Obviously, that does not align with the Conservative position. I want to talk about Quebec's Minister of Culture and Communications, Mathieu Lacombe, who did a bunch of interviews recently, answering journalists' questions about the mandate he took on last fall. When asked, “Should streaming platforms be forced to highlight homegrown content?”, he instantly replied “Yes, this is about Quebec's distinct culture”. Speaking to various media outlets, Minister Lacombe emphasized the importance of discoverability for francophone content from Quebec, meaning how easy it should be to access homegrown content on major digital platforms like Netflix and Spotify, for example. That is what Minister Lacombe said. The National Assembly is hoping for a speedy passage of Bill C‑11. Certainly, Quebec had demands, legitimate demands, such as being consulted on regulations that will impact broadcasting in Quebec and Quebec culture. The unanimous National Assembly motion that set tongues wagging recently reads as follows: THAT the National Assembly acknowledge that the federal government could soon pass Bill C‑11, which aims to amend the Broadcasting Act; THAT it underline that this bill does not recognize the application of Québec laws regarding the status of artists; THAT it recognize that this bill, as it is currently written, grants Québec no rights of inspection on the directions that will be given to the CRTC, and that those directions will have a significant impact on Québec’s cultural community; THAT it remind the federal government that Québec’s linguistic specificity must be respected; THAT it highlight for the federal government that as a nation, it is up to Québec to define its cultural orientations; THAT it demand that Québec be officially consulted on the directions that will be given to the CRTC regarding the bill and that, for this purpose, a formal mechanism be added to the bill; THAT it affirm that Québec will continue to apply, in its areas of jurisdiction, the laws democratically passed by the National Assembly; THAT, lastly, the National Assembly inform the federal government that Québec will use all the tools at its disposal to continue protecting its language, culture and identity. The minister has the means and the tools needed to respond to these demands from Quebec. The real question is whether he will do the right thing through ministerial directives to the CRTC. We will see over the next few days, but I really hope he does. We in the Bloc Québécois will continue to properly and faithfully stand up for Quebec's demands to ensure the protection of its culture and broadcasting sector. Recently, my colleagues and I have all been getting a rather impressive number of emails from people who are opposed to Bill C-11. Oddly enough, they are not well-crafted emails written by an organization representative like the ones we received in previous weeks and months. They are very short emails that are more focused on the issue of censorship and control over what Quebeckers and Canadians will be able to watch online once Bill C-11 is passed. I have no qualms about saying that this is blatant misinformation. However, I want to talk about it a little and explain to the millions of Quebeckers and Canadians who are watching right now what these scare tactics are all about. The word “censorship” is one that has been coming up a lot. People are talking about a law that is going to censor Quebeckers and Canadians and undermine their freedom of speech. If we stop for a second and think about this, we realize that a person would have to be totally disingenuous or a complete conspiracy theorist to believe that, here in Canada, in our current system, a government could impose censorship with impunity like they do in totalitarian states. Feeding that fear is an act of bad faith and intellectual dishonesty. I am not sure that that is very healthy. It may be politically advantageous, but that is another issue. People wrote to us with concerns about the control the government will have over what we can see online and what it wants to ban from being seen online. Bill C‑11 does not say that the government will be able to force people to binge Les filles de Caleb on the weekend. Bill C‑11 seeks to have content produced by creators from here, to showcase stories from here, that our culture and the talent of our creators have their place on streaming platforms. No one is saying that people have the right to watch or not watch this or that. No one is preventing any content from being streamed. I have lost track of how many times I have heard about the manipulation of algorithms. Web giants talked about it at committee meetings. It was like we were asking those companies for the recipe to build a nuclear bomb. It was a bit excessive. I do not think that anyone at the CRTC is going to tell Spotify to open its code so they can mess with it. That is just silly. However, we need to give the CRTC the latitude and the tools it needs to ensure that the objectives are met. Traditional radio used what were known as logger tapes. For younger folks, such as the member for Thérèse-De Blainville, these were reels that turned at very slow speed and recorded 24‑7. It was easy because radio programming was a continuous broadcast on a single frequency. Obviously, the same mechanism cannot be used with online platforms. However, it is important that the regulator responsible for verifying that the objectives are being met actually has the means to verify that they are, in fact, being met. Algorithm manipulation should therefore not be permitted. It is essential to keep the door open to allow future verifications, if this is how verifications must be done. Then, there is the age-old issue of infringement on freedom of expression. I do not understand how anyone could believe that we could pass laws that literally infringe on freedom of expression. For some, any attempt to address disinformation and ensure that people have access to reliable, verified information amounts to an infringement on freedom of expression. We are certainly going to hear about it at length when we debate Bill C-18, but freedom of expression will not be violated by Bill C-11. In any case, a law passed by the government that would infringe on freedom of expression obviously would not stand up in court and would be quashed very quickly. I do not see a problem with imposing discoverability obligations, obligations to promote Quebec, Canadian, French-language and indigenous content, and to showcase the distinct nature of the Quebec nation and of Canada on the online platforms of digital giants. I came up with what I thought was a useful analogy. For those opposed to regulating GAFAM, the major online broadcasting companies, I will present the following analogy. Imagine if, instead of offering cultural content, these businesses were serving food. Would there be any objection to these food service companies being subject to the same health regulations that traditional restaurants are? I doubt it. I doubt there would be any objection if the rules set by MAPAQ, Quebec's department of agriculture, fisheries and food, which apply to restaurants, were also applied to any business that serves food. Even though we talk about a free market on the Internet, there are limits that must be applied there as well. I thought that was an interesting analogy for illustrating the importance or relevance of regulating online businesses as well. I do not want to spend all day debating this. We have debated it extensively, and we are at the stage where we want to come to an agreement as quickly as possible and return this bill to the Senate so that it ultimately gets approval. Then we can move on to the much-anticipated implementation stage of this bill, which is eagerly awaited by the entire cultural community and by broadcasters. However, I am going to move an amendment in closing. It is an amendment to the amendment moved yesterday by the member for Lethbridge. My amendment to the amendment is as follows: that the amendment by the member for Lethbridge be amended by replacing all the words after the word “that”; the motion be amended by adding to the last paragraph “further calls on the government to establish a process for consultation with the Quebec government so that Quebec's specificity and the unique reality of the francophone market are adequately considered by the CRTC” and recalls that the federal Status of the Artist Act respects Quebec's jurisdiction and is consistent with Quebec legislation on the status of the artist.
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