44th Parl. 1st Sess.
March 30, 2023 10:00AM
- Mar/30/23 3:08:28 p.m.
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Mr. Speaker, budget 2023, a made-in-Canada plan, introduces various affordability measures, such as the first-time homebuyers account, and also demonstrates our government's unwavering commitment to reconciliation by investing in urban, rural and northern indigenous housing.
Could the hon. Minister of Housing and Diversity and Inclusion tell the House about these initiatives and what they mean for our country?
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Mr. Speaker, it is nice to see my hon. colleagues continue debate on a very important bill, Bill C-11. I will be sharing my time with the hon. member and my esteemed colleague for Saanich—Gulf Islands, beautiful Vancouver Island, a wonderful place on the Sunshine Coast area where I have many friends and where I was raised.
We are debating a very important bill that would modernize the Broadcasting Act, which has not been touched since 1991. It has generated a lot of debate and passion, but it is really important to stick to the facts of the bill at hand and not get lost in the rancour, hyperbole and, frankly, the misinformation, if I could be so direct.
I am pleased to rise today in support of the online streaming act, Bill C-11. The online streaming act seeks to update the Broadcasting Act to reflect the reality of Canada's broadcasting climate today and prepare for the future. For decades, broadcasters in Canada have shown us incredible Canadian content on our televisions and radios. That did not happen by accident. After all, we live right next door to the world's largest exporter of culture and entertainment. I can say first-hand, having lived in the United States for over seven years at one point in my life, it does export a lot of culture and entertainment, not only here in Canada but throughout the world. There is quite a dynamism in its entertainment business, which we also have here in Canada, a very vibrant film industry and music industry.
We made a conscious decision to support our fellow Canadians, to help them share their talents and their stories with the rest of world, much like every other country does. As a condition of their licences, TV and radio broadcasters have had to invest in our culture and our artists. It is why we have all the Canadian content we love. Whenever we see Schitt's Creek, Orphan Black and Corner Gas or hear Lisa LeBlanc, Coeur de pirate, Joni Mitchell, Céline Dion, Jessie Reyez, Mother Mother, Classified and the Arkells, it makes us proud to be Canadian. Our culture is who we are. It is our past, our present, and most definitely and definitively our future.
The last major reform, as I stated at the outset of my comments, of the Broadcasting Act was in 1991, a year after I finished high school, which is a long time ago, and before dial-up Internet was widely available in Canada. Online streaming services like Crave, Netflix, TOU.TV, Apple TV+ and Spotify have dramatically changed how we watch television and movies and listen to music.
Today, believe it or not, most Canadians are using YouTube as their primary music streaming service. I see this with my children, who are 10 and 11 years old, two of the three, who watch much on YouTube in terms of sports and entertainment. However, those online streaming platforms are not subject to the same rules as traditional broadcasting services like over-the-air television, cable and radio. This bill would ensure that everyone who benefits from the Canadian market is paying their fair share to support Canadian culture, in both official languages, as well as indigenous languages. With a population of almost 39.6 million people, our market is continuing to grow and it is a sought-after market for content producers and platforms from all over the world.
The world has changed a lot since 1991. In the last 30 years, Canadian society has evolved, and so have our values. Diversity and inclusion are important to Canadians, so they must be key elements of our cultural policy. Improving the fairness of our broadcasting system means being more inclusive, supporting the livelihoods of Canadian artists and creators and enriching the lives of Canadians who want to see more of themselves on screen and in song. Indigenous peoples, Black and other racialized Canadians, women, LGBTQ2+ persons and persons with disabilities deserve to have the space in order to tell their stories to other Canadians and to the world. Frankly, Canadian stories are unique stories. They need to be told, we need to encourage that, and that is exactly what this bill would do.
These values are clearly reflected in the online streaming act. The bill presents us with an opportunity to ensure that the broadcasting sector is truly inclusive of all Canadians, including anglophones, francophones, Canadians from Black and racialized communities, Canadians of diverse ethnocultural backgrounds and socio-economic statuses, abilities and disabilities, sexual orientations, gender identities and expressions, and Canadians of all ages. It would ensure that the circumstances and aspirations of all Canadians are reflected in the broadcasting system, many for the first time in Canadian history.
I would like to share some of the important perspectives that were heard throughout the House and Senate study of the online streaming act to show just how transformative these changes could be for our country. We all know of the intense debate and scrutiny Bill C-11 has gone through in both Houses.
Culture can play a role in the process of truth-telling and reconciliation with indigenous peoples and healing. As part of our commitment to reconciliation, Bill C-11 proposes important updates to Canada's broadcasting system. The online streaming act would remove the language “as resources becomes available” about supporting indigenous culture from Canada's broadcasting policy goals. This is as it should be.
I will quote Jean La Rose, President of Dadan Sivunivut, “We have a unique place, and this language would better reflect Parliament's wish to recognize in legislation the principles of the United Nations Declaration on the Rights of Indigenous Peoples”. Amendments passed in both the House and the Senate strengthened this commitment in the bill. Ultimately, this bill would create more funding and more opportunities for indigenous creators to tell their stories in the language of their choice.
Currently, programs that reflect indigenous peoples and racialized and ethnocultural communities remain few and, unfortunately, far between, and creative employment opportunities are slim. Who tells the story is as important as the story itself. Our government is committed to building a better future where Black and racialized creative voices, talent and work are celebrated, sought after and supported.
Joan Jenkinson, executive director of the Black Screen Office, told the heritage committee, “Canadians of all backgrounds have not had access to programming within the Canadian broadcasting system that authentically reflects the diversity of this country. The proposed amendments in Bill C-11 will prioritize greater equity and inclusion.” This is something we should all be proud of and something we should all support.
In fact, amendments were adopted by both Houses to recognize the unique experiences of Black and racialized Canadians and incorporate their unique stories into the goals of the Broadcasting Act. Bill C-11 would also provide more opportunities for persons with disabilities to fully participate in the broadcasting system. It would update the broadcasting policy goals of Canada to ensure that our system should, through its programming and the employment opportunities arising out of its operations, serve the needs and interests of all Canadians first, specifically including persons with disabilities for the first time in Canadian history.
It would also update the act to remove language that specifies that programming that is accessible without barriers to persons with disabilities must only be provided within the Canadian broadcasting system when the resources are available to do so.
When David Errington, president of Accessible Media Inc., appeared before the Senate committee, he told parliamentarians that “By removing that qualifying language, the government is signalling that it expects that Canadians with disabilities will be treated like all other citizens for the purposes of broadcasting policy.” Again, this is how it should be.
As members can see, this legislation would provide real opportunities for Canadians, including community media, local news, French-language productions, Black and racialized communities, third language programming, and so much more. Importantly, this legislation would also takes steps to ensure there is space within our broadcasting system for indigenous storytelling and indigenous languages.
Canada has changed greatly since 1991. It is time that our broadcasting system reflected that. It is imperative. I hope all of my colleagues, and I understand the NDP and the Bloc are in support, will join me and our caucus in supporting Bill C-11. It is time to bring our broadcasting system into the 21st century.
I look forward to questions and comments.
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- Mar/30/23 4:25:58 p.m.
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Mr. Speaker, one of the great things about the way this bill has been looked at and examined by both Houses is that it has been quite a robust discussion. I understand, from reading the notes on the bill, that many tough questions were asked, including the member opposite's question on the issue of discoverability.
What is important is that we are modernizing the Broadcasting Act for the first time since 1991. Content creators would continue to have free rein in the generation of the content they wish to produce, post online and show to users and viewers here in Canada and around the world.
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Mr. Speaker, I thank my colleague for his question on the importance of collaboration with all the provinces in our country. It is very important to collaborate with the province of Quebec and to collaborate further when it comes to the application of Bill C‑11.
I do not understand the Conservatives' opposition.
Like many people, I am befuddled by it. There is a lot of language being used that I am not really sure is accurate. Maybe a full briefing for members would help them to understand the importance of the bill.
This is an extremely important bill for our cultural sector.
It is very important to move forward with this bill.
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- Mar/30/23 4:29:12 p.m.
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Mr. Speaker, I too asked about this amendment and I received clarification that the way the bill is written and would be adopted is that user-generated content would not come under scrutiny or be under the application of the CRTC. What we are doing is modernizing the Broadcasting Act to ensure that service platforms like Netflix, Apple TV+, Crave and so forth are broadcasters under the broadcasting system.
That is why we have worked hand in hand with all senators and all parliamentarians. This bill has received hours and hours of scrutiny in both Houses. A lot of tough questions have been asked.
That is the way one produces good legislation.
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- Mar/30/23 4:30:20 p.m.
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Mr. Speaker, the hon. member is an esteemed member who I have worked with in years past on the finance committee. I have a great deal of respect for that member.
I will say again that my understanding, from reading the bill and speaking to the various officials, is that user-generated content is not going to be impacted at all with regard to this bill.
The bill modernizes the Broadcasting Act. It brings platforms that we use often in our daily lives and innovation forward under the Broadcasting Act and ensures that Canadian content continues to be generated.
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