44th Parl. 1st Sess.
May 5, 2022 10:00AM
Mr. Speaker, my colleague's comments about Canada's critical mineral potential were spot on. Quebec has a lot of potential there too.
The budget includes a very nice map of the minerals located in Quebec, but it says absolutely nothing about ensuring that processing will happen here, which would be consistent with the Government of Quebec's strategy.
Can the member tell me if his government has already taken steps to make sure these minerals are processed in Quebec, or will minerals be extracted here and then sent off to Toronto for the value add?
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Madam Speaker, I am pleased that my colleague is interested in the housing issue, but it is the construction of homes that is the urgent issue. Supply and demand is a game. The problem is that the supply is inadequate, and this is causing prices to skyrocket. That is the case in major centres, but all too often we forget that this is also happening in the regions and rural areas.
Could my colleague take action to ensure that the funding does not all go to the Toronto region, as is often the case in the Canadian economy with government projects?
Could he take action to ensure that remote and rural regions get their share of the pie and ensure that supply increases in the regions?
We want to address the labour shortage, but the first problem is that people cannot find housing.
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Madam Speaker, since my colleague is the critic for indigenous matters, I would like to point out that there was an excellent article this morning in Le Devoir about indigenous homelessness in urban areas. I am assuming he did not read it, but that is not what is important.
This is known to be a big issue in Montreal. Money was allocated to combat homelessness during the pandemic because it was becoming a growing problem in cities.
Unfortunately, there has been no solution to indigenous homelessness. Some money has been allocated but it is not fixing the problem. There have been deaths in Montreal in recent years, and I imagine the same is true in Toronto and Vancouver.
How does my colleague propose that we solve this crisis? Even if the money is there, it is a particular problem that Canada has not been able to resolve.
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Madam Speaker, I enjoy listening to the speeches by my colleague across the way. He talked about electric vehicles, and I am very interested in that. We usually have a clever back and forth, but I have a serious question.
How much money is being put in place to increase the infrastructure of the electrical grids across Canada to be able to charge all of the electric cars that will be here? I hear that in Toronto it is at 90% or 95% capacity. I hope the answer will not include the Canada Infrastructure Bank.
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Madam Speaker, I am happy to rise in the House to speak to Bill C-11, an almost carbon copy of Bill C-10, which the Minister of Canadian Heritage himself, to his credit, admitted was deeply flawed.
Let me start by first acknowledging the creators, artists, musicians and all those who work so hard to bring Canada’s arts and culture to the world. They undoubtedly deserve to be highlighted and given the opportunity to share our history and stories on the many platforms available in today’s world. Many of my colleagues and I have experienced their work first-hand and have met with many talented individuals across our country. The Conservative Party knows the importance of ensuring that Canadian artists are heard, appreciated and given the ability to share their art not just with Canadians but the world. Creators need rules that do not hold back their ability to be Canadian and global successes.
There is absolutely no doubt that after 30 years, the Broadcasting Act should be updated. Technology has evolved, and the ways in which Canadians create and consume stories have changed. Thirty years ago, the Internet was not what it is today, and people relied on radio, cable television and newspapers to consume content. That is what the Broadcasting Act was designed to regulate. Today, most Canadians consume content on the Internet, from streaming services to social media platforms. We live in a world where digital information is accessible to everyone in this country at any time.
I will first take the opportunity to highlight what Bill C-11 is proposing.
The bill proposes to expand the Broadcasting Act beyond the current platforms to include large foreign and domestic streaming services such as Netflix, Prime and Disney+. It also includes user-generated content created on social media sites such as YouTube and TikTok. This means that newer forms of media previously subjected to little or no government oversight will be brought under the authority of the Canadian Radio-television and Telecommunications Commission, the CRTC.
Many Canadians and I know that Bill C-10 contained similar content and raised concerns regarding free speech, not only from opposition members but from many organizations. The inclusion of user-generated content in Bill C-10 meant that anything Canadians chose to upload or post on social media or on any creative content-sharing platform would fall under the authority of the Broadcasting Act and be regulated by the CRTC. Why was that an issue? There was very little accountability, and it was unclear what authority was being given to the CRTC. There was no indication of what any of the regulations would be, and there would be little to no parliamentary oversight, meaning that a government agency would be controlling what content Canadians see.
Coming back to the bill we are debating today, in Bill C-11 the government has included an exclusion on user-generated content on social media. However, upon reading the bill, there seems to be an exclusion to this exclusion. What does that mean? It means that once again, the government, through the CRTC, could regulate user-generated content.
As Matt Hatfield from OpenMedia stated:
Trying to exclude user generated content from CRTC regulation is a good step, and an acknowledgement by the government that last year’s Bill C-10 was a mistake.
The problem is that it isn’t clear if they’ve actually excluded user generated content. They’re working from a foundation of a clean separation of professional and amateur content on the Internet that simply doesn’t exist. Major Canadian Internet productions like podcasts could find themselves in the worst of all worlds—subject to CRTC regulation, while not able to seek CanCon funding.
While we can acknowledge an attempt by the government to fix its admitted error within Bill C-10, there is still too much uncertainty about the impact Bill C-11 could have on digital first creators.
According to a summary of the 2019 report from researchers at Ryerson University, “there are an estimated 160,000 Canadian content creators on YouTube, including 40,000 who have enough of an audience to monetize their channels. These 40,000 creators have in turn sparked the development of nearly 28,000 full-time jobs”. These are positive economic impacts that should be encouraged and praised rather than hindered and targeted. While the intent of the bill may be to support Canada’s broadcasting industries, it marginalizes Canadian digital content creators who are successfully sharing Canadian stories across the globe.
We on this side of the House believe that large foreign streaming services and social media platforms should not be given unfair advantages over the regulated Canadian broadcasting sector. They should be expected to contribute to and create Canadian content and have Canadians tell Canadian stories. Foreign streamers should pay their fair share.
We all agree that large streaming providers should feature more Canadian content, but what is Canadian content?
Recently, I watched the Disney film Turning Red with my kids. It is set in Toronto and tells the story of what it is like growing up as a Chinese Canadian teenager. The film stars Canadian actors, yet under the current rules, this movie is not considered Canadian content.
A series based entirely on the Toronto Maple Leafs being streamed on Amazon is not considered Canadian Content. The Handmaid's Tale, based on a novel written by a Canadian author and filmed in Canadian cities, is not considered Canadian content. The movie Deadpool, based on a Canadian comic book character, starring a Canadian actor, co-written by a Canadian and filmed in Vancouver, is not considered Canadian content.
This bill would require streaming services to invest in and create more Canadian content. However, these films, biographies and TV show adaptations that most of us would consider Canadian content simply are not. This definition must be broadened so that these large streaming services want to invest in our great Canadian talent and tell Canadian stories.
I want to turn more broadly to the CRTC because I think a large part of the criticism of this bill is about a lack of clarity and the amount of control and regulatory power that would be given to the CRTC.
It will be up to the CRTC to administer this act, and I think there is reason to be concerned. The CRTC is already spread thin and lacks the capacity to carry out the current mandate effectively. How exactly can Canadians have faith in the CRTC’s ability to regulate the Internet and redefine what is Canadian content when it is already struggling to cope with the 4,000 or 5,000 entities in the broadcasting sector? What tools will have to be provided to the CRTC and how much money will this cost taxpayers? My colleague, the member for Saskatoon-Grasswood, asked the CRTC chairman how the CRTC was ever going to pay for this. His response was that it would go directly through the Treasury Board, meaning that Canadians would be on the hook for more regulations and rules, with no oversight or accountability.
The government has proposed Bill C-11 with a “just trust us” approach and has failed to provide clear policy direction on how the CRTC’s regulatory powers would be interpreted. It is unclear whether the CRTC even has the capacity or, to be frank, the competency to actually successfully execute what the government is proposing through Bill C-11.
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