44th Parl. 1st Sess.
May 5, 2022 10:00AM
Mr. Speaker, it will come as no surprise if I begin my speech by saying that standing up for Quebec culture is at the heart of the Bloc Québécois's mission. It is the focus of every MP sitting with me who belongs to our party. Our culture, our history and the French language, the only official language of Quebec, make us stand out in the broader North American communications landscape.
It was therefore natural that the Bloc Québécois should work to improve Bill C‑10 in the previous Parliament. We were very disappointed that it fell by the wayside when the election was called, but I am pleased that it was re-introduced in its new iteration as Bill C-11. These provisions are important to us. Several recommendations that our party made in committee were favourably received by the government before the bill was re-introduced. We salute this spirit of co-operation.
Broadcasting legislation has not been touched since 1991, so updating this legislation now is not repressive, nor will it jeopardize any freedoms. Legislation is undoubtedly the most effective way to ensure that there is more equity when it comes to accessing and broadcasting Quebec and Canadian productions. Essentially, this is a way to spotlight Quebec, Canadian, indigenous, regional and other identities.
Quebec's and Canada's cultural communities have been waiting for decades for the government to update this legislation. The clock is ticking. The first thing the cultural sector called for was for Parliament to adopt the bill as quickly as possible. I was set to give my speech in February. The Yale report was released two years ago. Things are certainly not moving quickly.
The Bloc Québécois has what I would consider an objective view of the 21st century. I often talk about environmental issues. Our positions are based on following the science, taking bold action, implementing strong legislation and so on. Our position on cultural matters is similar, in the sense that we will listen to what sector stakeholders tell us. We need to keep up with the times. The new 21st-century platforms have changed how we interact with the cultural sector as a whole. We therefore need to take bold action and implement strong legislation.
Whichever way we look at our culture and its distinctive colour, which is sometimes loud, sometimes muted, this aspect of our existence in society needs to be viewed through the prism of its fragility. Fragility, not weakness.
Given the startling evolution of information and communication technologies, only someone who is willfully blind could deny the influences of our neighbours to the south. I said influences, but I sometimes feel like calling them imperialist effects. The questions that came up during the study of this bill would never be asked in the United States. The big U.S. conglomerates and other broadcasting platforms with global reach and territory are not so concerned about fragile cultures like ours, which we would like to be protected.
Cultural sovereignty is not an abstract concept. It should never be trivialized. Let us remember part of a speech by my fellow member for Longueuil—Saint-Hubert on the importance of this bill:
Such is the risk of a people becoming nothing more than one demographic among many. A culture, especially a minority culture like ours, is a precious and delicate garden that could be swept away and destroyed by the fierce winds of technological globalization. If that happens, the world would lose our unique and irreplaceable colour from its spectrum. That would be a tragedy for the entire world, because when a culture dies, it is a loss for all of humanity.
That would be infinitely sad.
Imagine taking a trip, hoping to explore new horizons, learn new things and get better acquainted with a culture, only to wind up hearing the same music everywhere, seeing the same values and the same social mores. That would be really horrible. That is precisely why this law is needed, so that we can continue to produce our stories, convey our realities in music or on screen, and, above all, promote them around the world. If this possibility disappears, an entire culture will suffer the consequences.
Culture is the heart of a nation. When culture is eroded, the nation is affected. Quebec is a nation, Canada is a nation, and our first nations, Métis and Inuit communities are nations.
Does anyone here really want to see all that disappear?
Content producers want to see this bill passed. The growing cultural sector in Quebec enthusiastically supports the Bloc’s requests, which seek to enhance the bill.
The Liberals, the NDP and the Bloc supported Bill C-10 and made an effort to improve it during the session, but the Conservatives were against the bill from the start.
The Conservative Party wants the government to intervene as little as possible, and it sees privacy issues everywhere. That is why there has been a major smear campaign. They tried to find all sorts of flaws in the bill, but they were often grasping at straws. The Conservatives used a whole lot of parliamentary manoeuvres to slow down the process. The same thing happened in committee, in both the House and the Senate, despite the fact that the Department of Justice did a legal analysis that stated that there was no impact on freedom of expression. I hope that people believe in the department.
The Conservatives, short on arguments, went even lower.
The hon. member for Lethbridge talked about Quebec culture as being outdated. That hurt us, heart and soul. We do not necessarily want to listen to American hip hop or Nashville's top 10 country pop hits.
Of course, Bill C-11 is garnering considerable interest because all Canadian cultural sectors will benefit from this legislative review. The objective of the new bill is substantially the same. Indeed, Bill C-11 has the same objective as Bill C-10, namely to subject web giants to the Broadcasting Act by forcing them to contribute financially to the creation and discoverability of Canadian cultural content.
Why would we stand idly by and do nothing about what is happening right now?
The major broadcasters and their web giant partners will have to respond to the Canadian government’s legislative expectations. I am thinking about Netflix, Apple TV+, Disney+, Amazon Prime Video and music streaming services like Spotify, YouTube Music and Apple Music.
Our American neighbours sometimes have a chuckle about Canadian culture. They joke about the RCMP’s uniforms, the way we say “eh?” and even poutine and Tim Hortons. They find it all a bit ridiculous. I will bet that the elected members that are fighting the bill tooth and nail do not really see a difference between Canadian and American artistic content. We do see a difference. If we asked these same elected members about Canadian content from emerging artists, they would be surprised to hear that these same artists are in favour of such a law. Once we have clarified the question of the freedom of web users, every Quebec and Canadian cultural sector will benefit.
Under the new version of the bill, creators, users and influencers are exempt from the law. Perhaps this was not clear in Bill C-10, but it is in Bill C-11. Canadian and Quebec artistic talent has merit. Just because the dominant language in the rest of Canada is English does not mean that we should bend over backwards and make concessions that go against our cultural identity.
To conclude, I will say that being mindful of the identity of peoples and their ways of expressing their culture and sense of belonging is in no way trivial or irrelevant.
This is what the Bloc Québécois wants to know: Are we going to govern our digital economy according to our own democratically established laws and regulations, or are we going to keep allowing foreign giants like Google and Facebook impose their rules, mores and standards on us?
I would like to believe that it is still possible for all the elected members of the House to listen to reason so that the bill can be unanimously referred to committee for study.
The Bloc Québécois is proud to stand strong and defend our culture.
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Mr. Speaker, that is quite the question. We very much want this to be unanimous. It seems there are still items where the text is not yet definitive. We know that words have meaning and that they can sometimes lead to something other than what was intended.
If the text of certain sections is problematic, let us debate it and make it clear in committee. That is all we ask. I think that the official opposition party should agree, without unreasonably prolonging debate.
The Bloc Québécois was never very happy with the idea of time allocation, even though we found it was necessary in the case of former Bill C-10. However, since certain sections of the former bill were corrected in this version, I would really like the official opposition to provide positive and constructive comments so that we can send Bill C-11 to committee and study it properly.
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Madam Speaker, indeed, we also see problems with discoverability. In this respect, however, an amendment proposed by the Bloc Québécois to the former Bill C-10 was incorporated into Bill C-11, and it addressed more than just discoverability.
That is why I commend the collaborative work we did with the government in this regard. Everything proposed by the Bloc, including discoverability, was added to the bill. That is why we are eager to support it.
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Madam Speaker, I commend my colleague, with whom I sit on the standing committee on environment. His question is similar to the one posed by the hon. member for Rosemont—La Petite-Patrie. That is exactly what we want to improve.
I will give you a few figures. On digital platforms, French-language works represent 2.7% of the 10,000 most popular songs. If the giants of this world—all foreign, by the way—participate financially, it will help promote francophone culture.
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