44th Parl. 1st Sess.
May 11, 2022 02:00PM
Mr. Speaker, the French language is an integral part of life and of the history and future of Canadian culture, which has been supported nationally through official bilingualism.
I had the privilege of attending French immersion at École Pauline-Johnson, where I started learning French at an early age. It is one of many French immersion programs in the regions in my riding.
Our government has introduced a bill to modernize the Official Languages Act in order to protect and promote French throughout Canada, including in my province of British Columbia.
We also rely on francophone immigration programs to recruit more francophone immigrants, such as the wonderful Moroccan chefs who were recruited in Whistler and have enriched the community, becoming a cherished part of it.
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Mr. Speaker, it is an honour to rise in this House to speak in favour of Bill C-11, the online streaming act.
This legislation passed through this House just last year after extensive Conservative filibustering, but it had to be reintroduced because it ended up dying in the Senate. I felt it particularly important to speak to this legislation because there has been a coordinated attack of misinformation and disinformation that has confused people as to exactly what this legislation would do. In my brief speech, I will touch on what this bill would do, what it would not do and some of the implications around the some of the misinformation.
Given that the media landscape has changed, our approach to it must also change to bring things into the 21st century. The online streaming bill does just that. Like we have always done for radio and television, now online streaming companies will be there to support and promote Canadian content. The bill does this by bringing online streaming services under the jurisdiction of the Broadcasting Act. This act has not been amended since 1991, and that was a very different time.
The bill would also do this by requiring online streaming services that serve the Canadian market to contribute to the production of Canadian content. In the same way that they benefit from accessing the Canadian market, they should be there to invest back into it. The bill would also ensure that broadcasters would showcase more Canadian content, as well as prioritizing content from Francophone, indigenous, LGBTQ+, racialized and other equity-seeking creators.
We have to ask ourselves why this is important. It is important because we consume media very differently in 2022 from how we did in 1991. If Canadians are anything like me, they do not have cable. If they have cable, they may use it just to watch sports these days. They probably do not listen to the radio much. They may access music through apps like Spotify, Apple Music and others. They may be watching television or movies through Netflix, Prime, YouTube or many of the other streaming services that have absolutely revolutionized the media landscape over the last two decades. In order to have a level playing field, these platforms need to be treated just the same as television and radio have been treated for decades.
Sometimes the question comes up about why we need Canadian content. Quite simply, it is because we are not American. We feel the impact and dominance of the America media and culture, and that is something that every Canadian is familiar with. We are inundated with American news, TV, movies, music and culture. The American media and entertainment industry is very much a juggernaut, with the ability to promote and broadcast its influence far and wide. In Canada, we see that.
The close and familiar nature of our cultures and histories, as well as the vast funding and institutional entrenchment of American media, have allowed it to flourish in our country, and there is no doubt that there is exceptional content coming from south of the border. However, our Canadian content creators are at a disadvantage without the same levels of inertia, funding and entrenchment that the American media have had for decades.
That is why we need to take action to ensure that Canadian culture and Canadian stories are still promoted and told. I think we would all agree that our own culture and history are distinct from those of the U.S. We have stories, ideas and creative expression that are uniquely Canadian, and it is the shared cultural fabric that helps define our national identity.
That, right there, is what this bill is really about. We have our own cultural fabric and our own Canadian identities, and we must work to protect our heritage from the influence of foreign media. It is unfortunate that this bill, which is aimed at protecting and strengthening our cultural heritage by requiring only web giants to pay into creating Canadian content, has been so mired in controversy and misinformation.
I want to take a moment to try to set the record straight on exactly what this bill does not do. This bill does not impose regulations on content that everyday Canadians post on social media. It does not impose regulations on Canadian digital content, creators, influencers or users. It does not censor or mandate specific algorithms or streaming services on social media platforms. It does not limit Canadians' freedom of expression in any way, shape or form, or create the conditions for Internet censorship.
This bill specifically carves out from the bill content created by users on social media platforms, except where that content is commercial content. That is defined by the regulator, which evaluates based on three elements, whether the content is monetized, whether it exists on another non-social media platform, and whether the content has a unique international standard code.
This measure is designed to standardize treatments of commercial content across all platforms. We have to ask ourselves why such an innocuous bill, which would support our Canadian cultural producers, would become so controversial. Who can argue with bringing our regulation into the 21st century? The answer is actually quite simple. It has been a coordinated campaign of misinformation and disinformation.
Members opposite and their party's communication apparatus have peddled misinformation claiming that the bill would silence Canadian online content creators, despite the fact that the bill explicitly excludes content creators. They have claimed that the bill would violate charter rights and limit free speech, despite its direct predecessor's having been through multiple reviews for charter compliance and the fact that the Department of Justice has found it fully compliant. Members claim that the bill would control what people can post on Facebook and Twitter, despite the fact that the bill has absolutely nothing to do with regulating online speech.
The scale of misinformation and disinformation around the bill has been so extreme that one would be hard pressed to believe that it came about organically. If we think that there is no way that this misinformed outrage is organic, we would be right. Rather, far-right organizations like Canada Proud have been working overtime, pushing falsehoods about the bill on Canadians. This of course is the same Canada Proud that was founded by Jeff Ballingall, also known as the digital campaign director of the former leader of the official opposition in the last election, as well as that of the likely future leader of the official opposition.
It is disappointing that the official opposition works with groups such as these, which employ tactics of misinformation and in this case, clear disinformation. In doing so, it actually undermines and compromises the fabric of legitimate political discourse in Canada, while also sowing division for political gain. In this case, it means siding with foreign web giants over the Canadian cultural sector, which is resulting in that sector's being left behind, especially in light of the serious impacts the COVID-19 pandemic has had on the sector. It is bad enough that these tactics are poisoning debate in the House and on topics at the national level, but we know this is not an isolated example.
In the last election, in fact, the Conservative candidate in my riding did a mail drop a couple of days before the election, with a nefarious-looking picture of the Prime Minister saying that we were going to remove the exemption on capital gains for principal residences. I am sure many other folks in the House could give us many other examples.
Unfortunately, I have little confidence that the official opposition is going to cease with these disingenuous tactics. It is their MO, after all, but these insidious approaches are now poisoning debate all the way down to the local level. I bring the example of Squamish Voices. Squamish Voices began as a social media Facebook page and built up a following as a faux community group by promoting themselves on Facebook and asking very innocuous questions like what someone's favourite ice cream was. Having built up a very large following, they switched into launching a very dedicated campaign of attacks and character assassination on progressive elected officials by spreading misinformation. They spent over $25,000—
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Mr. Speaker, I promise I will get to the end of this speech.
I was talking about the example of Squamish Voices. Having built up a large following, it switched from this innocuous community group to launching personal attacks and character assassinations on progressive councillors. In fact, over $25,000 was spent on advertising to do this. Notably, its members do this behind a shroud of secrecy, by obscuring who they are and the real truth. They cannot be reached through their phone number; they cannot be reached through their email, and their web page URL does not work.
In fact, through investigative reporting and following the dots, the National Observer has found the group that is behind it. Of course, it is Canada Proud. This is not just a problem in my riding of West Vancouver—Sunshine Coast—Sea to Sky Country. It is a problem right across the country. The network is making forays into municipal politics with anonymous pages in Vancouver, Vaughan, Richmond Hill, Brampton, Georgian Bay and Terrebonne.
I feel compelled to bring this up because it is exactly what is happening in this circumstance in this House, and it needs to be called out. Unfortunately, the victims in this case happen to be Canadian cultural producers who are, of course, receiving less income because of the impact of the pandemic and because Canadians are consuming media in a different fashion. This bill needs to pass. We need to find ways to support our Canadian content creators.
I just want to mention that this year is actually the 50th anniversary of The Beachcombers, which is one of the most popular Canadian shows of all time. It included one of the first indigenous actors to be recognized in a national-level program. We need legislation like this to be able to support the future Beachcombers, which are so important for Canadian culture and which have also provided, like The Beachcombers, entertainment for communities all across the world.
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Mr. Speaker, in fact, when I am talking about some of the very shady things that we are seeing happen that are poisoning discourse, I am not talking about censorship. In fact, I am talking about the exact opposite. We need to have transparency on that, on who is behind these things and why they are doing the things that they are. When we have these types of groups that are leading organized campaigns of misinformation and disinformation, it is something we should all be very concerned about. That is exactly what has been happening in Bill C-11, and that is why we need to keep calling it out.
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Mr. Speaker, I thank my hon. colleague for her question.
This bill has several advantages. Creators will be supported by the web giants, and it will be easier for people to access what creators are producing. This is very important for Quebec and for the whole country, because we are very unique and we have to do what we can to promote the full diversity of this country.
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Mr. Speaker, absolutely, this bill is very, very important for doing just that: being able to support Canadian content.
That was a really unfortunate connection with the example that was given earlier, but whether it is Canadian TV like The Beachcombers, whether it is Canadian film or whether it is making sure that we are able to access Canadian music online, this is really, really important, just to make sure that, as we are a small country, we are able to support our artists and creators to give them that start, to allow them to have that runway to make it big. Otherwise, we are at risk of being completely dominated by a much larger media landscape in the United States. Therefore, it is very important that we support them and it is very important, given the impact of the pandemic and the change in the way that all people around the world are consuming media.
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