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Decentralized Democracy

House Hansard - 38

44th Parl. 1st Sess.
March 1, 2022 10:00AM
Context: House Hansard - 38 - Mar/1/22
Mr. Kevin Vuong (Spadina—Fort York, Ind.)
  • Mar/1/22 6:44:59 p.m.
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Madam Speaker, it has been nearly a month since I asked the Minister of Canadian Heritage whether he would consider hosting a national conference on the future of art. Since then, performing artists have continued to reach out to me about how their livelihoods are imperiled. The arts community is an integral part of our economy, and while the additional funding by the government via the Canada performing arts workers resilience fund was a positive step for sector resilience, we are far from the end of the crisis. This is why I called on the minister to convene a national conference on the future of art, because it is clear that we have to find a way to live with COVID. It is clear also that every industry is different and that we must develop a targeted approach to how we will support different sectors and how we will support the arts community. I will give an example. When the Province of Ontario initiated a lockdown in response to the omicron variant, the arts were lumped into the same bucket as sports arenas. It did not matter that when we were watching Come From Away or when I went to see The Nutcracker, I and other audience members were doing so quietly and we were masked. It did not matter that this was an experience vastly different from that of the Scotiabank Arena, where audiences are eating and drinking and cheering for the Raptors and the Leafs. Let me be clear. I know that everyone here will appreciate that this fell within provincial jurisdiction. However, it is federally, not just in funding but also in leading and in convening, that the government can take action because, unfortunately, the decimation to the arts community is sadly not just exclusively in my riding and not just in Ontario but all across Canada. This is why Canada needs, and again I reiterate my call for it, a national conference to forge the path forward on the future of art in our country. Like my hon. colleague, I have been at the Standing Committee on Canadian Heritage, where we have heard from many witnesses about the need for this because of the crippling impact that COVID has had on their sector. In fact, quite a number of the witnesses whom the heritage committee has heard from were from my riding of Spadina—Fort York, such as Ms. Kendra Bator of Mirvish Productions and Ms. Barbara Diabo, chair of the grand council of the Indigenous Performing Arts Alliance, to name but a couple. The statements provided by them and other witnesses were startling. The cost that COVID has levied on the Canadian arts community is alarming, and we must act, because the cost of inaction is not just on Canadian art and culture, which I would suggest is priceless; the price of inaction will mean jobs lost, local businesses continuing to be devastated, and forgone tax revenue. Let me share some of the stats that Kendra from Mirvish, which is our country's largest theatre production company, shared with the heritage committee. In 2019, over 1.8 million people attended a commercial theatre production. On tickets alone, audiences spent over $160 million, generating over $19 million in tax revenue. This does not even include a billion dollars spent on additional travel, hotels, restaurants, parking and retail. When people support the arts community, they are also supporting Canadian small businesses. When they support the arts community, they are also supporting Canadian tourism. When they support the arts community, they are supporting Canadian jobs and culture. Does my hon. colleague not agree that we have to take action and that the government must convene a national conference on the future of art?
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Context: House Hansard - 38 - Mar/1/22
Mr. Kevin Vuong
  • Mar/1/22 6:52:30 p.m.
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Madam Speaker, my hon. colleague said that I am late to the game. The province is starting to open up. When is this national convening going to happen? The inaction by the government has led to us losing Canada's most successful musical, Come From Away. In our hometown of Toronto, it has closed. I want to localize the impact this has had due to inaction. Come From Away attracted more than a million patrons to Toronto. Box office sales surpassed $115 million with $15 million in HST. The show created jobs over 9,000 employee weeks. This was for the cast, stage managers, musicians, crew members and front of the house team members. When will the national convening happen?
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